Mark

At the time we set this Photo Challenge Queensland, New South Wales and Victoria were all experiencing terrible floods. Natural disasters were therefore much in our minds and we thought the power of nature would make a great challenge. To our surprise though, entries were down on their usual numbers. Were people all disastered-out? Was the basic concept just too vague? We’ll never know the answer, but happily we still received some fine work from our creative contributors.

PR17 Photo Challenge: In a Blur

We asked Photo Challengers to dial in a slow shutter speed and then to ‘pan for success’ in Challenge #41. Since it was such a wide open brief we didn’t have any particular expectations about what we might receive. But, as usual, the creative responses ranged widely across the blurry landscape of slow shutter photography.

Our Photo Challengers responded in their usual creative fashion to our ‘Picture in picture’ exercise. It has to be said that we really dithered over the winner this time around. In the end, though, we decided to give the guernsey to Elana Bailey’s ‘Reflections on the side window at Lavender Fields Cottage’ for its quiet trompe l’oeil effect. We found our eyes being drawn back to the symmetrical composition and the slightly painterly quality of the reflected images in the window. As a token of appreciation, we’ll be sending Elana a Digital Foci Picture Porter 35 250GB portable storage device (RRP $549).

Funny thing about these photo challenges; no matter what concept we come up with, we never really manage to quite anticipate how our clever contributing photographers will respond. As we said when we posed the shadow challenge, our idea was to encourage the creation of dramatic film noir-style compositions. But, as you can see from the images on these pages creativity will not be so easily corralled.

We’re never quite sure what to expect from our endlessly creative Photo Challengers and the Veiled challenge was no exception to the rule. Winner Pamela Smith earned first place for noticing and then capturing the veiling effect of a horse’s mane. This is the kind of outside-of-the-box thinking we really like to see. For her well-executed effort, Photo Review Australia is pleased to send Pamela a JCMatthew 19-inch (48cm) digital photo frame, the DPF-BOM19 HD Pro Series 1280×1024 resolution with secure file technology.

We asked Photo Challengers to dial in a slow shutter speed and then to ‘pan for success’ in Challenge #41. Since it was such a wide open brief we didn’t have any particular expectations about what we might receive. But, as usual, the creative responses ranged widely across the blurry landscape of slow shutter photography.

For our Absolutely Pollock challenge we asked photographers to seek out instances of accidental human-created abstract beauty. As usual, our Photo Challengers went out into the world with their cameras and came back with a selection of arresting images.

The inspiration for the Night Lights challenge came about after we decided to publish the lovely night studies of Sydney photographer Peter Solness (Photo Review Australia issue 41). We hoped that our Photo Challengers would be similarly inspired when asked for their take on lights in the night. Happily, as the pictures shown here demonstrate, we were once again rewarded with a variety of creative responses to what is a somewhat technically demanding theme.