The tumbler’s position in Saga Shiriskar’s On the beach has a fine, energetic quality and the juxtaposition with the group of background figures really transforms it from glanceworthy to something very distinctly in the “look again” category.

Photo Review Competitions

The tumbler’s position in Saga Shiriskar’s On the beach has a fine, energetic quality and the juxtaposition with the group of background figures really transforms it from glanceworthy to something very distinctly in the “look again” category.

As subjects go, there aren’t many more open than the soaring vault of the sky. And yet, despite the fact that you just have to look up, it still takes a degree of skill and a measure of luck to make an interesting photograph of the wild blue yonder.

As subjects go, there aren’t many more open than the soaring vault of the sky.

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South Bank, Melbourne on a rainy day as people were heading home from work. (First winner for Image Review 2 Competition.)

This image is of Sea Cliff Bridge on the Illawarra coast of NSW. I was on a rock ledge at the Coal Cliff end of the bridge.

Susan Shanta’s amusingly balletic decisive moment is a classic example of the camera capturing what the eye simply can’t grasp.

By Suellen Cook. I understand that my art work is probably not falling into the traditional view of photography, nor what you might be expecting, nevertheless I would appreciate whatever feedback I can get from experienced photographers.

My tag line in Red Bubble says “… and now Stephen looks for aesthetic opportunities where they aren’t expected”.
So I shoot the scene as I see it, not waiting for better light or creating better situations.
I like the idea of seeing an unusual and aesthetic composition in a mundane or familiar place.
So here, in a spot passed by hundreds every day, I can see the Old, the New, and I can Reflect on it. (Pardon the pun).

I was trying to capture a glimpse of the Melbourne atmosphere in my short visit there.
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