In summary
A fast professional DLSR for photojournalists and sports and wildlife photographers that also offers Full HD video recording.Canon’s EOS ID Mark IV replaces the popular Mark III model at the top of the company’s ‘APS-H’ format professional DSLR line-up, adding Full HD video capture, higher resolution, a new image processor and an improved AF system to the features of the previous model. Like its predecessor, the Mark IV isn’t just for press and sports photographers; it has a much wider appeal and almost all photographers should find something desirable in the new camera. . . [more]
Full review
Canon’s EOS ID Mark IV replaces the popular Mark III model at the top of the company’s ‘APS-H’ format professional DSLR line-up, adding Full HD video capture, higher resolution, a new image processor and an improved AF system to the features of the previous model. Like its predecessor, the Mark IV isn’t just for press and sports photographers; it has a much wider appeal and almost all photographers should find something desirable in the new camera.
Front view of the EOS ID Mark IV body without a lens, showing the mirror box and grip. (Source: Canon.)
Rear view of the EOS ID Mark IV body, showing the LCD monitor, folder LCD screen and main control buttons. (Source: Canon.)
Top view showing data display, control dials and button controls. (Source: Canon.)
Side view showing the main interface ports. (Source: Canon.)
Base plate showing tripod socket. (Source: Canon.)
At a glance, the Mark III and Mark IV models appear very similar and both camera bodies have the same dimensions and general configuration. Both use magnesium alloy for the chassis, mirror box and exterior covers and both come with extensive dust- and moisture-resistant sealing (the Mark IV has six more sealing points than the Mark III). They also have much the same control layout.
Front and rear views of the magnesium alloy chassis used in the EOS ID Mark IV. (Source: Canon.)
These diagrams show the positions of the dust- and moisture-resistant seals in the EOS ID Mark IV. (Source: Canon.)
The Mark IV is 25 grams heavier, which will be barely noticeable for photographers in the field. And both take EF lenses with a 1.3x focal length crop factor and produce images with a 3:2 aspect ratio. There have been some major improvements to the 3-inch LCD monitor on the rear panel. As well as increasing its resolution from 230,000 dots to 920,000 dots (equivalent to VGA resolution) in the new model, Canon has also improved the viewing qualities of the screen in several ways.
For starters, the plastic protective cover has been replaced by a tempered glass coating that is more rugged and scratch-resistant. In addition, the gap between the cover and the LCD panel has been filled in the Mark IV with a photo-elastic material with the same refractive index as the protective glass. This ‘no boundary technology’ eliminates back-scattered light, providing a much clearer view of the screen in conditions, such as outdoor sunlight, where internal reflections can interfere with viewing.
The new screen also provides a ten-degree improvement in viewing angle in all directions, covering 160 degrees vertically and horizontally, where the Mark II only offered 140 degrees. Screen brightness is adjustable across seven levels to provide clear viewing under different ambient lighting conditions.
LCD brightness adjustments. (Source: Canon.)
As in previous Canon professional DSLRs, pressing the Info button in shooting mode displays an overview of current camera settings and you can toggle between two display options: Normal and Shooting Functions. The latter display allows users to change camera settings without resorting to the top data LCD or viewfinder and is useful when the camera is tripod-mounted.
The Normal shooting mode information display is shown on the left with the Shooting Functions display on the right. (Source: Canon.)
The camera body is supplied with a standard shoulder strap, LP-E4 lithium-ion battery pack and LC-E4 charger, AC-E4 AC adaptor kit, DR-E4 DC coupler, EG eyecup, plus USB 2.0 Hi-Speed and video cables. The supplied software disks include the latest versions of Digital Photo Professional (Win/Mac), ZoomBrowser EX (Win), Image Browser (Mac), PhotoRecord (Win) and EOS Capture (Win/Mac).
The EOS ID Mark IV body kit. (Source: Canon.)
What’s New?
The EOS 1D Mark IV replaces an already popular and capable professional DSLR model so many features of the EOS 1D Mark III carry over into the Mark IV. The table below lists the key features of each model, with the major differences highlighted in italics.
|
|
E0S1-D Mk III |
EOS 1D Mk IV |
|
Announced |
22 February 2007 |
20 October 2009 |
|
Sensor Size/Type |
28.7 x 18.7mm |
27.9 x 18.6 mm CMOS |
|
Effective Pixels |
10.1 megapixels |
16.1 megapixels |
|
Pixel pitch |
7.2 microns |
5.7 microns |
|
Recording Media |
CF type I, II, SD dual slots |
CF type I, II, SD dual slots; UDMA mode 6 compatible |
|
Still File Formats |
JPEG, CR2.RAW, sRAW, RAW+JPEG |
JPEG, CR2.RAW, mRAW, sRAW, RAW+JPEG |
|
Still Image Sizes |
3888 x 2592, 3456 x 2304, 2816 x 1880, 1936 x 128 |
4896 x 3264, 4320 x 2880, 3552 x 2368, 2448 x 1632 |
|
Video recording |
No |
Yes; 1920 x 1080 at 30 / 25 / 24 fps; 1280 x 720 at 60 / 50 fps; 640 x 480 at 60 / 50 fps |
|
Max. Video Clip Time |
n.a. |
1080p – approx 12 min; 720p – approx 12 min; VGA – approx 24 min |
|
Image Processors |
Dual DiG!C III |
Dual DiG!C 4 |
|
Autofocus System |
TTL-AREA-SIR with 45-point CMOS sensor |
Low-noise TTL-AREA-SIR AF-dedicated CMOS sensor with 45 AF points |
|
AF Points |
19 (cross type) plus 26 Assist AF points; manual selection of 19 cross type points, inner 9 or outer 9 points |
45 (39 cross-type points + 6 horizontal points); manual selection of 48, 19 or 11 AF points, inner 9 or outer 9 points; AF point registration |
|
Vertical/horizontal AF point setting |
No |
Yes |
|
AF point expansion |
3 points |
4 points |
|
Spot AF |
No |
Yes |
|
Focus Modes |
One-Shot AF, AI Servo AF, Manual focusing (MF) |
One-Shot AF, Predictive AI Servo AF, AI Focus AF, Manual focusing (MF) |
|
AE/FE Microadjustment |
No/No |
Yes/Yes |
|
ISO Normal Range |
ISO 100-3200 |
ISO 100-12800 |
|
ISO Expansion |
L: ISO 50 and H: ISO 6400 |
L:50 and H1: 25600, H2: 51200, H3: 102400 |
|
Auto Lighting Optimiser |
No |
C. Fn II-4 – Four modes: Standard, Low, Strong, Disable |
|
Lens peripheral illumination correction |
No |
Yes |
|
High-speed NR settings |
2 |
4 |
|
Buffer Capacity |
JPEG (Large): approx. 110; RAW: approx 30; RAW+JPEG (Large/Fine): 22 frames |
JPEG (Large/Normal): approx.121; RAW: approx 28; RAW+JPEG: approx. 20 frames |
|
LCD Monitor |
3.0-inch TFT colour LCD; 230,000 pixels |
3-inch Clear View II (920,000 dots) colour LCD |
|
Live View focusing |
manual |
Quick and Live AF plus Face Detection; manual |
|
Live View modes |
1) Live View shooting; 2) Remote Live View (PC-connected; supports auto/manual focus, evaluative metering, magnification by 5x or 10x at AF point, grid display, exposure simulation) |
Quick mode (Phase-difference detection); Live mode, Live face detection mode (Contrast detection); Manual focusing (5x/10x magnification possible); 2x grid overlays; both usable for still & video capture; exposure simulation for stills only |
|
Image Playback |
Single image, single image + shooting data, single image + picture count & quality, 4- or 9-image index, 1.5x to 10x magnification at AF point, rotate image, image jump (1/10/100 frames), thumbnail + exposure data and brightness or RGB histogram |
Single image, single image + shooting data, single image + picture count & quality, 4- or 9-image index, 1.5x to 10x magnification at AF point, rotate image, image jump (7 settings), thumbnail + exposure data and brightness or RGB histogram, slideshow, movie playback |
|
Other Significant Features: |
Highlight Tone Priority, Picture Style Editor, wireless flash configuration via camera menu, > 70 dust & water-proof body seals; record to external media via WFT-E2 |
Highlight Tone Priority, Picture Style Editor, wireless flash configuration via camera menu, > 76 dust & water-proof body seals; record to external media via WFT-E2; in camera copyright info. embedding; audio playback |
|
New Custom Functions |
n.a. |
C.Fn 1- 15 added 1/300-1/60 auto setting; C.Fn 1-16 AE Microadjustment added; C.Fn 1-17 FE Microadjustment added; C.Fn II-2 4 High ISO noise reduction settings (up from 2); C.Fn II-4 Auto Lighting Optimiser; C.Fn III-3 added Release/Tracking Priority; C.Fn III-6 Spot AF added; C.Fn III-8 added All 45 points area; C.Fn III-9 Multi-controller while metering; C.Fn III-10 Selectable AF Point 5 settings, up from 3; C.Fn III-11 new setting added; C.Fn III-15 IR Assist Beam firing added; C.Fn III-16 Orientation linked AF point; C.Fn IV-9 added Play Memo; C.Fn IV-11 Start Movie Shooting; C.Fn IV-16 Add image verification data |
|
Custom Functions Removed |
Add original decision data; Live View exposure simulation |
n.a. |
|
Terminals |
USB 2.0 Hi-Speed, Video OUT (PAL/NTSC); WFT-E2/E2A wireless remote |
USB Hi-speed, HDMI, Video Out (PAL/NTSC), WFT-E2/E2A wireless remote port, external microphone port for stereo audio recording |
|
Remote Control |
N3 type terminal |
N3 type terminal |
|
Battery |
LP-E4 battery pack (approx 2200 shots/charge) |
LP-E4 battery pack (1500 shots/charge) |
|
Dimensions |
156 x 156.6 x 79.9 mm |
156.0 x 156.6 x 79.9 mm |
|
Weight |
Approx. 1155 grams (body only) |
Approx. 1180 grams (body only) |
Sensor and Image Processing
The sensor in the EOS 1D Mark IV is a brand new chip developed and manufactured by Canon. Like recent Canon sensors it features gapless microlenses to maximize light-gathering capabilities. Measuring 27.9 x 18.6 mm and with an effective resolution of 16.1 megapixels, this chip’s photosites have a surface area of approximately 5.7 microns. Resolution is significantly higher than the 10.1-megapixels offered by the EOS 1D Mark III.
The sensor unit in the EOS 1D Mark IV showing the overlying low-pass filter that vibrates to remove dust particles. (Source: Canon.)
The sensor is coupled to a circuit board containing two DiG!C 4 processors. These LSI chips were introduced with the EOS 5D Mark II and provide support for 14-bit raw file processing at 30% faster speeds than the DiG!C III chips in the EOS 1D Mark III. Faster processing speeds also allow greater scope for rendering highlight and shadow details, enabling the camera to record a wider dynamic range and provide better colour accuracy and tonal subtlety plus more scope for precise fine-tuning of image reproduction.
The Dual DiG!C 4 chips on the image processing circuit board. (Source: Canon.)
The new processors also underpin the 5D I Mark IV’s live view shooting and video recording capabilities (more on this below). They also support new functions like face and motion detection, continuous subject tracking and Intelligent Contrast Correction.
However, the most significant advantage of the new Dual DiG!C 4 chips is a dramatic extension of the camera’s sensitivity range. Whereas the EOS 1D Mark III covered a standard sensitivity range of ISO 100 to 3200 with expansion to ISO 50 (low) and ISO 6400 (high), the Mark IV has a standard ISO range of ISO 100 to 12,800. It maintains the ISO 50 (low) but pushes the high sensitivity options upwards with three additional settings: H1 (ISO 25,600 equivalent), H2 (ISO 51,200 equivalent) and H3 (ISO 102,400 equivalent).
The expanded sensitivity range of the EOS 1D Mark IV is shown in this screen grab. (Source: Canon.)
These high settings are supported by an improved noise-reduction processing system, making them valuable for photographers who shoot fast moving subjects in low light levels. Photojournalists working in testing conditions as well as sports, wildlife and wedding photographers will all value this new sensitivity range expansion. Continuous flash control will also benefit from the ISO extension through greater coverage of the subject area.
Initial observations of test shots from the pre-production sample camera showed image quality at the H3 setting to be similar to shots taken with the H2 (ISO 25,600 equivalent) with the EOS 5D Mark II. Image noise was clearly visible as both granularity and colour noise. However, the overall effect was more like film granularity than digital noise per se.
Despite having over 50% more photosites to provide image data, the EOS 1D Mark IV has been able to maintain the 10 frames/second continuous shooting speed offered by its predecessor. However, Canon is supporting this with a significantly larger buffer memory in the new camera, which can now record up to 120 Large/Normal JPEGs, 30 CR2.RAW files or approximately 20 RAW+JPEG pairs in each burst.
Like its predecessor, the EOS 1D Mark IV supports both CR2.RAW and JPEG still capture, with four image sizes to choose from: 4896 x 3264, 4320 x 2880, 3552 x 2368 and 2448 x 1632 pixels. The addition of a third raw file format, mRAW, to the Mark III’s raw and sRAW options gives photographers a broader choice of image sizes when shooting raw files. We don’t have details of file sizes as yet but will provide them as soon as this information is available.
Live View Shooting
Live View shooting isn’t new to the 1D series as it was introduced with the Mark III model in early 2007. As in the previous model, the reflex mirror in the Mark IV flips up to enable live viewing. However, shooting with Live View has been somewhat enhanced in the new camera, partly because the 920.000-dot Clear View II LCD monitor provides a sharper, clearer and more colour accurate view of the subject and offers greater scope to magnify the shot for checking focus and exposure.
In the EOS 1D Mark IV, switching between still capture with Live View and movie capture modes is done in the camera’s menu and you can select the various movie resolution settings and frame rates on the same menu page.
The Live View/Movie function set options in the camera’s shooting menu. (Source: Canon.)
The Mark IV adds a third Live View mode, Face Detection Live mode, to the Quick and Live modes provided in the Mark II. But that’s not all: autofocusing now is possible with Live View and the new addition supports face detection autofocusing and auto exposure. Different AF systems are used with the three Live View shooting modes.
The active AF points in the AF Live shooting mode. (Source: Canon.)
In Quick mode, phase detection AF with a dedicated sensor applies and refocusing is relatively snappy. In Live mode, contrast detection is used and focusing is slightly slower. Face Detection Live mode also uses contrast detection but seeks out faces in the frame.
Two grid overlay options are provided for photographers who prefer using compositional guides. One is the standard ‘rule-of-thirds’ overlay provided in the Mark II. The other divides the frame into a 6 x 4 block grid that offers higher precision.
The 6 x 4 grid overlay shown on the Live View screen. (Source: Canon.)
In Live View mode, users can choose between Correct Exposure (which renders the displayed image on the basis of the exposure settings) and Simulated Exposure (which uses the selected aperture, shutter speed and ISO settings to simulate the final exposure. Exposure simulation is only supported for still image capture. (In the Mark II model, this function was a Custom Function.)
HD Video Recording
Although video capture has become relatively commonplace in DSLR cameras of late, it remains rare in professional cameras. To date, only the ‘pro-sumer’ EOS 5D Mark II, EOS 7D and Nikon D3S models support video capture (with the D3S offering a lower 720p resolution than its rivals).
No professional DSLR camera yet released can match the video resolution and recording flexibility provided by the EOS 1D Mark IV. Like its ‘pro-sumer’ cousins, the EOS 1D Mark IV can record Full HD video at a resolution of 1920 x 1080 pixels in 16:9 aspect ratio with a frame rate of 30 frames/second. It also offers lower resolution settings of 720 p (1280 x 720 pixels) and VGA (640 x 480 pixels.
As in the EOS 5D II and 7D, video can only be recorded in Live View mode because you can’t use the viewfinder for shooting video when the mirror is up. Custom Fn. IV/11 lets users select one of two ways to engage video recording, with the default being from the Live View shooting mode and an alternative Quick start via the FEL button.
Options for engaging video capture. (Source: Canon.)
As in previous Canon DSLRs, video clips are recorded in the popular MPEG-4 format using H.264 compression and soundtracks are recorded monaurally.
Movie capture in Live View mode. The elapsed time is shown in the top left corner of the screen. (Source: Canon.)
Interestingly, the new camera provides some worthwhile expansions to the capabilities of the EOS 5D Mark II. Instead of being stuck with a frame rate of 24 frames/second, the Mark IV gives photographers a choice of frame rates, enabling them to shoot 1920 x 1080-pixel video at 30, 25 or 24 frames/second, each with progressive scanning at a rate of approximately 330MB/minute. This setting provides scope for tailoring clips to different applications and video formats.
Movie sizes and frame rate selections. (Source: Canon.)
The 30-frame progressive format mimics a film camera’s frame-by-frame image capture and gives clarity for high speed subjects. The 25p and 24p frame rates provide clips that are ideal for display on a TV set because they provide a more ‘cinematic’ look with NTSC and PAL standard TV sets. For 720 p (1280 x 720 pixels) and VGA video recording, the choice is between 60 and 50 frames/second frame rates, each providing video that is suitable for video recordings. Recording rates are approximately 330MB/minute and 165MB/minute respectively.
Most shooting modes can be used for video capture – and photographers have full control over aperture and shutter speed settings as well as recording sensitivity when the mode is set to M. Autofocusing is also supported for video capture, although only in the AF Live and Face Detection Live modes. If the AF Quick mode has been selected the camera will default to AF Live mode. Face Detection remains active if selected.
Autofocusing options in Live View shooting mode. (Source: Canon.)
Still pictures can be captured at the pre-set resolution and quality but pressing the shutter button while a movie clip is being recorded. (There’s a brief gap in the recording which is easily covered at the editing stage.)
The user manual recommends pre-focusing before embarking on a video recording. A built-in ambient light detector controls LCD brightness and counteracts any white balance shifts during video recording. Picture Style settings can also be used for recording video and users can take advantage of image stabilised lenses. The maximum clip size is 4GB, which is roughly equivalent to 4GB and recording will stop at this capacity or when 29 minutes and 59 seconds have elapsed.
Video clips recorded with the camera can be played back on the LCD monitor. A speaker is now provided for playing back video soundtracks and also voice memos (which could only be played back via computer with the Mark III).
Audio playback on the EOS 1D Mark IV. (Source: Canon.)
The camera body has a built-in monaural microphone but a stereo jack is provided for connecting an external stereo microphone. In-camera trimming of clips is supported.
In-camera trimming of a video clip. (Source: Canon.)
Autofocusing and Auto-exposure
The AF system in the EOS 1D Mark IV represents a major advance on the previous mode, with a new 45-point area sensor and many more settings. The new system offers greater precision and improved operability.
Not only does it have more AF points than the Mark III’s system; the new AF system consists of 39 cross-type points for high accuracy plus six horizontal points that provide additional precision at apertures smaller than f/5.6. All points are individually selectable and they can also be selected in groups comprising 45, 19 or 11 points or the inner or outer nine points.
A new AI Focus AF setting has been added to the focus mode selections and the AI Servo AF function has been improved to provide better tracking of moving subjects with macro lenses. In addition, Custom Fn. III lets you link selected AF points to vertical and horizontal camera orientations, eliminating the need to change AF point selections when the camera is moved between vertical and horizontal orientation.
Settings for linking AF point selections with camera orientation. (Source: Canon.)
Another new addition is AE Microadjustment, which allows users to fine-tune exposure levels in increments of 1/8EV across a range of +/- 1EV. This function can be used to match the output performance of two or more camera bodies, enabling photographers to work with several bodies and achieve identical results.
AE Microadjustment is enabled via Custom Fn. I. (Source: Canon.)
Other Features
Canon has tweaked some of the Picture Style settings in the new model, although the Neutral and Faithful modes remain essentially unchanged. The Standard, Portrait, Landscape and Monochrome profiles have been given slightly stronger sharpening to meet the requirements of photographers who use these modes for shooting JPEGs.
A new D+ icon now appears in the viewfinder data display when Highlight Tone priority has been selected in the menu. In addition, the ISO speed icon has been expanded to accommodate up to five digits to display the camera’s increased sensitivity range.
Slideshow playback has been added to the playback options and the Jump function in playback mode has been extended to cover seven options: 1, 10 or 100 images, date. folder, movies and stills.
Slideshow playback is now available via the Play menu. (Source: Canon.)
Image Jump options. (Source: Canon.)
Photographers can also embed copyright information directly into image files via in-camera controls (instead of having to connect the camera to a computer to access this function). A hexadecimal ‘keyboard’ is provided for entering data and users can display copyright information via a setting in the Setup menu.
The hexadecimal keyboard for entering copyright information. (Source: Canon.)
Copyright information playback. (Source: Canon.)
The final changes have been to the design of the control buttons, most of which have improved stroke characteristics. The AF/on and AE Lock buttons also protrude slightly higher from the camera body to make them more usable. So does the multi-controller key, which has also been redesigned to provide an improved shape.
Photo Review will publish a full review of the EOS 1D Mark IV when production units become available in December. We will also announce the pricing for the new camera when this information is released. For more information, visit www.canon.com.au.
Specifications
Image sensor: 27.9 x 18.6 mm large single-plate CMOS sensor with 16.1 megapixels of effective resolution
A/D processing: 14-bit
Lens mount: Canon EF
Focal length crop factor: 1.3x
Image formats: Stills – JPEG, CR2.RAW, mRAW, sRAW, RAW+JPEG; Movies – MOV (Video: H.264, Audio: Linear PCM)
Image Sizes: Stills – 4896 x 3264, 4320 x 2880, 3552 x 2368, 2448 x 1632; Movies – 1920 x 1080 at 30 / 25 / 24 fps (Approx 12 min); 1280 x 720 at 60 / 50 fps (Approx 12 min); 640 x 480 at 60 / 50 fps (Approx 24 min)
Image Stabilisation: Lens-based only
Dust removal: EOS Integrated Cleaning System
Shutter speed range: 30 to 1/8000 second plus Bulb, X-sync at 1/300 sec.
Exposure Compensation: +/-5 EV in 1/3- or 1/2-EV increments
Exposure bracketing: AEB +/- 3EV in 1/3-stop or ½-stop increments
Self-timer: 2 or 10 second delay
Focus system: TTL phase detection AF with 45 (39 cross-type points + 6 points) selectable points
Focus modes: One-Shot AF, AI Servo AF, AI Focus AF, Manual focusing (MF)
Exposure metering: 63-segment TTL full-aperture metering with Evaluative, centre-weighted average, partial (approx. 8% of viewfinder at centre) and spot (approx. 3.5% of viewfinder at centre) modes
Shooting modes: Program AE, shutter-priority AE, aperture-priority AE, manual exposure
Picture Style/Control settings: Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1 – 3
Colour space options: sRGB, Adobe RGB
Custom functions: 62
ISO range: ISO 100-12800 (L:50, H1: 25600, H2: 51200, H3: 102400)
White balance: Auto, Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom, Color temperature setting (2500-10000K); White balance correction and white balance bracketing features provided
Flash: External flash only
Sequence shooting: 10 fps / up to 120 shots max burst (90MB UDMA mode 6 compatible CF Card – JPEG Large) or 28 RAW
Storage Media: Dual slots for CompactFlash (Types I & II) and SD/SDHC memory cards
Viewfinder: Pentaprism with 100% coverage, -3.0 to +1.0 dpt adjustment, interchangeable focusing screen
LCD monitor: 3-inch Clear View II LCD (920,000 dots)
Live View modes: Quick mode (Phase-difference detection); Live mode, Live face detection mode (Contrast detection); Manual focusing (5x/10x magnification possible)
Video Capture: Yes (1920 x 1080 at 30, 25, 24 fps, 1280 x 720 at 60, 50 fps, 640 x 480 at 60, 500 fps)
Data LCD: Yes
Playback functions: Single, Single + Info (Image-recording quality, shooting information, histogram), 4-image index, 9-image index, image rotate possible; Playback zoom: 1.5x to 10x; jump by 10 or 100 images, jump by screen, by shooting date, by folder, by movie, by stills; highlight alert; histogram; movie playback enabled (LCD monitor, video/audio OUT, HDMI OUT)
Interface terminals: Hi-Speed USB, Video OUT, HDMI, 3.5mm jack, remote control terminal (N3-type)
Power supply: LP-E4 rechargeable lithium-ion battery
Dimensions (wxhxd): 156.0 x 156.6 x 79.9 mm
Weight: Approx 1180 grams (body only)
RRP: T.B.D.
Distributor: Canon Australia; 1800 021 167; www.canon.com.au
Retailers
CamBuy
www.cambuy.com.au
Digital cameras, lenses and accessories with 100% genuine Australian manufacturer’s warranties.
Ph: (02) 9029 2219
Camera House
www.camerahouse.com.au
Ph: 133 686
The largest speciality photographic retail chain in Australia.
Camera Pro
www.camerapro.net.au
CameraPro Pty Ltd
Suite 607, 180 Queen St, Brisbane 4000
Tel: 07 3333 2900
Australian owned and run company based in Brisbane.
Camerasdirect
www.camerasdirect.com.au
Retailer of digital camera equipment and more.
Secure online shopping and delivery across Australia.
Ph: 1300 727 056
Camerastore.com.au
Camerastore.com.au
Ph: 1800 155 067
Camera-Warehouse
www.camera-warehouse.com.au
Comprehensive range of digital cameras and accessories online (www.camera-warehouse.com.au) and an online print service (www.royalexpress.com.au).
Digital Camera Warehouse
www.digitalcamerawarehouse.com.au
174 Canterbury Road 367 High Street
Canterbury Northcote
NSW 2193 VIC 3070
Ph: 1300 365 220
Electronics Warehouse
www.electronicswarehouse.com.au
1300 801 885
Australian retailer of Vapex rechargeable batteries offering factory direct prices and fast, free shipping Australia wide.
<
Photographic Equipment & Supplies – Retail & Repairs. Click here for list of stores.
Ted’s Cameras
1800 186 895
Big range of cameras and photographic products with stores in most states and online.
Rating
