Mieke Boynton finds the photographic connection between land, culture and light in the Kimberley.

Mieke Boynton finds the photographic connection between land, culture and light in the Kimberley.
Steve Scalone was about 12 when he picked up a camera for the first time. It was his father’s 1950s Paxette 35mm rangefinder and while the elder Scalone had never really managed to get to grips with it, young Steve just seemed to have an intuitive feel for photographic technology.
Zoologist, bio-ethicist, governor of the World Wide Fund for Nature in Australia, communications consultant and lecturer at the University of Melbourne, Doug Gimesy is also a committed conservation and wildlife photographer.
Adelaide-based photographer Hilary Hann spent her formative years in a world very different from the sedate and orderly City of Churches. Born in Singapore, her family spent time in North Borneo before moving to East Africa and settling in Kenya where she was raised.
Samantha Everton has gone to extraordinary lengths in producing her art photographs, especially with her Sang Tong series.
From a rural New Zealand childhood to the Western Desert, photographer Megan Lewis has always been guided by her intuition.
Trevern Dawes has lost count of the number of times he’s visited Lake Eyre.
Cultivating the subtle art of anticipation is essential to Rebecca Johansson’s professional and artistic endeavours.
Constant variety and reinvention are the spice of life for Sydney commercial photographer and teacher, Daniel Linnet.
It’s dirty, dusty work being a commercial photographer for mining companies, but it doesn’t show in the clean perfectionism of Christian Sprogoe’s images.
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