Chinese gimbal developer, Hohem, has entered the Australian market with the launch of its latest product, the iSteady V3 Ultra, which features AI Tracking for any object.


Chinese gimbal developer, Hohem, has entered the Australian market with the launch of its latest product, the iSteady V3 Ultra, which features AI Tracking for any object.

Available in all leading mounts, the new Laowa 180mm f/4.5 1.5x Ultra-Macro APO lens combines a long-reach telephoto focal length with greater-than-life-size macro capabilities in a lightweight form.

Ricoh distributor, C.R.Kennedy & Company, has opened the first GR SPACE in the Southern Hemisphere in Brisbane, providing a creative hub for users of Ricoh GR series cameras.

Designed for M/43 cameras, the M.Zuiko Digital ED 50-200mm f/2.8 IS PRO is the first fully weather-sealed, all-purpose super-telephoto zoom lens with a constant f/2.8 aperture.

The latest addition to Nikon’s Z-mount cameras, the ZR, is a cine-focused model, combining the sensor and processor of the Z6III with video ‘smarts’ acquired from RED Digital Cinema in April 2024.

Announced before the IBC2025 show in Amsterdam opens on 12 September, Canon’s EOS C50 brings EOS R5 Mark II features to professional filmmakers and cinematographers.

The Prince Albert II of Monaco Foundation, in partnership with SEK International University, have announced the opening of entries for the 2026 edition of its Environmental Photography Award.

Chinese manufacturer, Viltrox has released a new, ultra-fast 56mm prime lens for Fujifilm XF and Sony E mount APS-C camera systems.

The latest versions of DxO’s flagship photo editing and raw file conversion software have been released with significant improvements to each application’s capabilities.

Nikkei has published the global sales figures and market share percentages for digital stills and video cameras sold in 2024 and revealed an overall market growth of approximately 14%.
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