By Zorica Purlija. My favourite photos are on the move while driving. Here the changing landscapes were pure gifts to behold.
Our Film Noir challenge asked photographers to imagine they were stills shooters on the set of The Big Sleep, Double Indemnity or some other classic of the noir genre…
By Russell Curr.
By Matt Oliver
Taken at Sossusvlei, Namibia. The late afternoon light was quite hazy but allowed an even, diffused light onto the dune and the ripples in the foreground sand to stand out…
By Cliff Samson.
The colour says it all. The vibrant red against a dark brooding sky epitomises the drama of this iconic Tasmanian landscape.
Our winner Susan Shanta knows all about how to use the relationship between the out-of-focus and in-focus areas of a photograph to make the latter the star of the show.