Although anyone with a smart-phone can take candid pictures in public places, most of these photos are little more than snapshots and easily forgotten. True street photography requires a lot more than point-and-press picture-taking.
Adelaide-based photographer Hilary Hann spent her formative years in a world very different from the sedate and orderly City of Churches. Born in Singapore, her family spent time in North Borneo before moving to East Africa and settling in Kenya where she was raised.
Less can be more when you want to create different looking images.A basic tenet of photographic composition urges photographers to fill the frame with the subject. While this strategy works well most of the time, there are situations when a minimalist approach can give a refreshing new slant to your creative vision.
By Alex Cearns.
Great travel photos tell a story by opening our minds to interpretation and allowing us a glimpse into the lives of others. By considering each image as an individual story we can transform visually stimulating locations, landmarks or scenes into visual drama and a more intense experience for the viewer.
Reflections – whether wildly distorted or perfectly rendered – are a lot of fun to explore.
Almost since the first point-and-shoot digicams were invented, camera manufacturers have come to the aid of novice photographers by providing pre-set exposure modes to help them select appropriate aperture, shutter speed and ISO settings for popular photographic genres. The first of the ‘Scene’ pre-sets were for portrait, landscape and sports photography. But it wasn’t long before night portrait and night landscape pre-sets were added and it’s not uncommon for modern cameras to provide separate pre-sets covering fireworks, candlelight, sunset and dusk and/or dawn.
The transitional periods between day and night – sunrise and sunset – have inspired artists (and subsequently, photographers) since time immemorial and most photographers continue to appreciate their magic. The changing colours in the sky are the obvious attraction for most people.
While point-and-shoot cameras automatically pop up their flashes when light levels are low, a surprising number of serious photographers avoid using flash wherever possible. However, used properly, additional light sources can extend your picture-taking opportunities and result in better, more engaging, pictures. The trick is to know what add-on lighting to use and when to use it.
In this article we investigate some popular creative shooting techniques including panning to capture a sharply-rendered subject against a blurred background; flash blur by combining slow shutter speeds with flash exposures; very long exposures for landscapes, seascapes, and architecture; and using ND filters for blurring exposures to reduce the visibility of moving objects and to add motion blur to subjects.
Long exposure photography is often associated with ‘fine art’ pictorialism because it enables photographers to achieve surreal and unworldly effects, often from quite banal subjects. Most cameras aren’t designed specifically for long exposure photography but you can obtain worthwhile results with appropriate equipment and correct exposure and focusing.