Shooting

Cloudy days can provide great opportunities for picture-taking with a digital camera because the cloud cover diffuses the light, turning the world into a gigantic softbox. This softer light is not only more flattering for portraiture, it also allows you to record more detail in both highlights and shadows -even with a compact digicam. The cloud structures can also provide some dramatic pictures – especially when storms threaten.

One of the key features of digital cameras – especially compact, fixed-lens models – is their limited dynamic range and tendency to record images with blocked-up highlights when shots are taken in contrasty lighting. Such conditions are common in Australia, where clear skies and brilliant sunlight can be found throughout the year. Over-expose in these conditions and the highlight areas will contain empty white pixels with no data whatsoever, and any detail in these areas will be irretrievably lost.

Have you ever wondered whether you could get away with using a point-and-click camera for vacation photos? The answer is simple: you can make do with a decent point and click camera, as long as you choose it carefully, know the camera, understand its limitations and accept the image quality sacrifices you must make.

Many photographers consider sunset shots an essential element in their photo albums. A few would add sunrise shots, although more effort is required to obtain them. Unfortunately, many shots taken at these times are disappointing. But they need not be if you take the right approach.

Well-defined, interesting cloud formations can turn otherwise run-of-the-mill photos into special pictures, so it’s worth the effort to seek them out. You may even wish to make the clouds the main focus of the shot.

We’re all familiar with panoramas shot with the camera held horizontally and created by stitching the short edges of each sequential picture together using a suitable software application. But have you ever considered what would happen if you turned the camera through 90 degrees and shot your panorama sequence in portrait format?