Photo Review Reviews section

Nikon D80

8.5 Rating

Many of the assets of Nikon’s D200 model in a lower-priced model with a ‘quality’ look and feel.An interesting mix of point-and-shoot and serious camera, Nikon’s D80 has been touted as a ‘little sister’ to the D200 model and offers many of the same features and the ‘quality’ feel users have come to expect from Nikon DSLRs. Like most recently-released competitors it sports a 10.2 megapixel sensor (CCD type) and a 2.5-inch LCD. Although closer in size to the D50 than the D70s, which it replaces, the D80 comes with the D200’s powerful EN-ELe battery, 11-point AF system and support for wireless flashes.

Canon EOS 500D

8.5 Rating

A capable DSLR for photographers who require a broad range of adjustable functions plus Full HD video recording.Announced in late March, Canon’s EOS 500D is another ‘in-betweener’ model, like the Nikon D5000 and Olympus E-620 we reviewed recently. Positioned between the 450D and the 50D, the EOS 500D offers the same effective resolution of 15.1 megapixels as the EOS 50D, the same DiG!C 4 image processor and the same Full High Definition movie recording capabilities as the EOS 5D Mark II.

smc Pentax-DA L 50-200mm f/4-5.6 ED Lens

8 Rating

A compact, ultra-lightweight telephoto zoom kit lens for Pentax DSLR cameras.Most people will acquire the smc Pentax-DA L 50-200mm f/4-5.6 ED lens in the twin lens kit with one of Pentax’s DSLR cameras. However, the kit lens supplied for review with the K-m camera body looked a little different from the lens shown on Pentax’s website. Like the 18-55mm kit lens, the test lens lacked the green band around the rear edge of the zoom ring and focus markings in metres and feet in front of the focusing ring and no lens hood was provided.

Pentax Optio 750Z

With its lightweight aluminium alloy body and smart ‘retro’ look the Pentax Optio 750Z will attract many buyers. The 7-megapixel sensor, 5x optical zoom lens and vari-angle monitor give this camera added appeal. The mode dial accesses 10 shooting modes: P, A, S and M modes, a User mode where up to three frequently-used functions can be registered, a Picture mode with12 scene settings, Panorama assist and 3D image functions, and a digital filter mode with nine colour settings. The Movie mode has two settings – VGA and QVGA – each with frame rates of either 30fps or 15fps. The well-designed menu includes two innovative controls: a ‘focus limiter’ setting that lets users restrict the lens movement to a specified distance range, and a digital exposure metering mode.

smc Pentax-DA 18-55mm f/3.5-5.6 AL Lens

8 Rating

A lightweight standard zoom kit lens for Pentax DSLR cameras.The smc Pentax-DA L 18-55mm f/3.5-5.6AL lens supplied for us to review with the K-m camera body was not quite the same as the lens that is sold as a stand-alone item and shown on Pentax’s website. There was no green band on the review lens and no focus markings in front of the focusing ring and, although the dimensions of the review lens matched those of the lens listed on the Pentax website, it appeared to be less refined.

Panasonic Lumix DMC-TZ20

8.5 Rating

A new flagship model for Panasonic’s popular TZ (Travel Zoom) series of compact digicams.It’s been just over a year since we reviewed Panasonic’s last TZ-series camera, the TZ10. This camera has been so popular it’s little wonder the company waited until January 2011 before unveiling not one but two updates: the TZ20 and a simpler (and cheaper) model, the TZ18. Many of the features that made the TZ10 a success have been upgraded to better suit the target market: travellers looking for a full-featured, pocketable camera.

Panasonic Lumix DMC-FX7

Panasonic’s DMC-FX7 is small enough to take anywhere in a pocket or purse. Its mode dial, which is partly enclosed in the camera’s body, has six settings: normal picture mode, simple mode, macro mode, scene mode (with nine pre-sets), motion image mode (QVGA movies at 10 or 30fps) and playback. The simple mode sets all controls to auto and provides three picture settings: enlarge (for A4 prints), 10 x 15cm, and email.

Panasonic Lumix DMC-FT2

9 Rating

Panasonic’s latest waterproof, drop-proof, dust-proof and frost-proof camera with AVCHD Lite High Definition video recording.Hard on the heels of the popular DMC-FT1 comes Panasonic’s latest ‘rugged’ digicam, the equally slim, but even tougher, DMC-FT2. Resolution has been increased to 14.1 megapixels and the body of the new model is waterproof to 10 metres instead of three. It can also withstand a drop of two metres (up from 1.5 metres) and is usable at temperatures as low as -10 degrees Celsius.

Panasonic Lumix DMC-FX01

8.5 Rating

Some good still and video features in a pocketable body but the FX01 lacks key manual controls and an optical viewfinder.The Panasonic Lumix DMC-FX01 is almost identical to the Leica C-Lux 1. Aside from coming in a silver body, which is similar in size and weight to previous FX models, the most obvious difference between the cameras is the finger rest on the front panel of the FX-01. Panasonic supplies a lower-capacity SD card than Leica (although in both cases more memory will be required so this difference is hardly relevant). Leica has the better software bundle.

Panasonic Lumix DMC-FT1

9 Rating

A solidly-built, shockproof and waterproof slimline digicam that can record HD video clips with monaural sound.The Lumix DMC-FT1 represents a new concept for Panasonic: a tough, slimline digicam that is shockproof to 1.5 metres, waterproof to a depth of three metres and dustproof to the IP58 standard. Olympus has already been down this ‘tough camera’ track but Panasonic is the first manufacturer to add the ability to record high-definition movie clips in the new AVCHD Lite format with a frame rate of 30 frames/second.