Canon EOS R10

In summary

The EOS R10 provides a cropped-sensor, smaller, lighter, alternative to the full-frame EOS RP.

As an entry-level model, the EOS R10 will appeal to photographers looking for a relatively small and light interchangeable-lens camera with a good (and useable) range of controls, 4K video recording, fast burst shooting and an affordable price tag.

The R10 can use the full range of RF-mount lenses as well as EF and EF-S lenses fitted via the EF-EOS R Mount Adapter.

Full review

As the entry-level camera in Canon’s new APS-C EOS R system, the EOS R10 has lower resolution than the enthusiast-level EOS R7, which we reviewed recently. However, its 24.2-megapixel sensor is paired with the same DIGIC X processor and it sports the same Dual Pixel CMOS AF II focusing system as its sibling along with the ability to track vehicles, animals and people, with precise head, face and eye detection across the image frame. Naturally, there are a few areas – outlined below – where the R10 cuts back on features and performance.


Angled view of the EOS R10 with the RF-S 18-45mm f/4.5-6.3 IS STM kit lens and pop-up flash raised. (Source: Canon.)

The EOS R10 will be offered as a body-only option with an RRP of AU$1499, as well as in two kit versions. Bundled with the new RF-S 18-45mm f/4.5-6.3 IS STM lens it will be priced at AU$1649, while with the RF-S 18-150mm f/3.5-6.3 IS STM lens the RRP is AU$2049.

Who’s it For?
The EOS R10 provides a cropped-sensor alternative to the full-frame EOS RP, which is overdue for an update. While its resolution is a little lower, it’s not enough to signify and the R10 has a newer, faster processor and superior autofocusing system. It’s also smaller and lighter.

As an entry-level model, the EOS R10 will appeal to photographers looking for a relatively small and light interchangeable-lens camera with a good (and useable) range of controls, 4K video recording, fast burst shooting and an affordable price tag. It’s competitive in its price range and a worthy successor to the popular models in the successful EOS-S DSLR line-up, the last of which (the EOS 850D) was released in February 2020.

The table below compares key features of the R10 with the 850D, showing just how much imaging technology has changed since the DSLR was released. We’ve also included the EOS R7 in the table to show the differences between the two new cameras

	EOS R7	EOS R10	EOS RP
Sensor area	22.3 x 14.8  mm		35.9 x 24.0 mm
Effective resolution	32.5 megapixels	24.2 megapixels	26.2 megapixels
Stabilisation	Up to 8-stops In-Body IS (IBIS)	Lens-based  plus Movie Digital IS for video	Lens-based only
Shutter speeds	1/8000 sec. to 30 seconds	30-1/4000 seconds	30-1/4000 seconds
Flash synch	Mechanical: 1/250 sec. Elec. 1st curtain: X-sync: 1/320 sec.	Mechanical: 1/200 sec. Elec. 1st curtain: X-sync: 1/250 sec.	1/180 sec.
Shooting modes	A+ / Fv / P / Tv / Av /  M / B / C1 / C2 / C3 / Creative Filters / SCN
Image file formats	JPEG, HEIF, 14-bit C-RAW, Dual Pixel Raw (CR3), RAW+JPEG; Movies: MP4 (H.264/H.265)		JPEG, CR3.RAW, C-RAW, RAW+JPEG; Movies: MPEG4 AVC/H.264
AF  system	Hybrid dual pixel phase detect/contrast detect system		Dual-pixel CMOS AF
Focus points	651		143
Subject detection AF	Human face, eyes, head, body; dogs/cats/birds face, eyes, body; vehicles entire or specific parts	People, animals, vehicles	Face tracking
Focusing brightness range (stills / movies)	EV -5 to 20 / EV -3.5 to 20	EV -4 to 20 / EV 0 to 20	EV -2.5 to 18
Video	4K 50p and oversampled 4K 25p video from 7K Canon Log supported	4K 50p and oversampled 4K 25p video from 6K	4K at 25p
Max. stills frame rate	30fps with electronic shutter, 15fps continuous mechanical shutter	23 fps with electronic shutter; 15 fps with mechanical shutter	5 fps
Buffer capacity	184 JPEG, 46 RAW	123 JPEG, 21 RAW	‘Unlimited’ JPEG, 50 RAW
High Frame Rate movie (Full HD 120/100fps)	Max. recording time 90 minutes	Max. recording time 60 minutes (IPB Light)	HFR recording not supported
Viewfinder	EVF with 2,360,000 dots, 119.88 fps refresh rate, brightness and colour adjustments
Monitor resolution	1,620,000 dots	1,040,000 dots	1,040,000 dots
Touch screen	Yes
Card slots	Dual SD/SDHC/SDXC	Single SD/SDHC/SDXC (UHS- II)	Single SD/SDHC/SDXC (UHS 1 / II)
Weather resistance	Dust and water resistant body	Not environmentally sealed
Battery	LP-E6NH	LP-E17
Dimensions	132.0x 90.4x 91.7mm	122.5 x 87.8 x 83.4 mm	132.5 x 85.0 x 70.0 mm
Weight (body with battery & card(s)	612 grams	429 grams	485grams
RRP on release (body only)	AU$2349	AU$1499	AU$2099

There are clear differences between these three models, which will influence buyers’ choices. The R7 is the winner when it comes to resolution, IBIS, focusing and video and the only one with weather resistance. The R10 is the smallest, lightest and cheapest and has the same AF system as the R7, although with a little less subject recognition capability. The RP is an entry-level ‘full-frame’ model – but it’s over-due for a ‘refresh’.

For novice users, the R10 provides the same pre-set Scene modes as the R7: Self Portrait, Portrait, Smooth skin, Group photo, Landscape, Panoramic shot, Sports, Kids, Panning, Close-up, Food, Night Portrait, Handheld Night Scene, HDR Backlight Control and Silent shutter. It also has the same selection of filters, which includes Grainy B/W, Soft focus, Fish-eye effect, Water painting effect, Toy camera effect, Miniature effect plus four HDR art modes (standard, vivid, bold and embossed).

More capable photographers will welcome the ability to record in Dual Pixel RAW alongside HEIF, Compact RAW and HDR modes as well as the standard JPEG. The Digital Lens Optimiser automatically corrects aberrations in-camera when JPEGs are recorded.

The R10 can also use the full range of RF-mount lenses as well as EF and EF-S lenses fitted via the EF-EOS R Mount Adapter.  The camera will recognise the full-frame lenses and crop the field of view seamlessly, just like the EOS R7.

Build and Ergonomics
The EOS R10 is distinguished by its small size, light weight, advanced capabilities (for an entry-level model) and comfortable handling. Like the R7 it’s made mainly from high-strength engineering plastic and magnesium alloy but, unlike the R7, its shutter does not close when the camera is powered down and no claims are made for shutter durability.

The handgrip is generous and should be comfortable for a wide range of hand sizes, partly because it positions key controls within easy reach. The top panel layout is similar to the R7’s. The raised mode dial has the same settings, except for the Movie mode, which is included in the mode selections on the R10 but was on the power switch in the R7.

Top view of the EOS R10 with no lens fitted. (Source: Canon.)

Unlike the R7, the R10 boasts a built-in flash, which pops up automatically when needed is one of the auto modes are used. With a Guide number of six (ISO 100/metres), it’s not particularly powerful but useful for filling-in shadows when subjects are backlit. Wireless Master and Sender functions aren’t supported.

The front panel is dominated by the large RF lens mount. Conveniently located low down on the handgrip side of the mount is an AF/MF switch, which enables users to toggle between settings with one finger. A programmable button on this switch is pre-set for the depth of field preview function.

Front view of the EOS R10 with no lens fitted. (Source: Canon.)

The control layout on the rear panel of the R10 is also similar to the R7’s, although the joystick multi-controller is smaller and lacks the surrounding ‘Quick Control’ wheel. The arrow pad carries labels on its directional buttons for directly accessing the ISO, flash, drive/self-timer and delete settings, eliminating the need for a separate Delete button.

The rear panel of the EOS R10 with the vari-angle monitor screen reversed for viewing. (Source: Canon.)

The left side panel carries the main interface ports, which include HDMI Micro out Type D and USB 2.0 USB Type-C connectors and a RS-60E3-type remote control terminal plus a 3.5mm stereo mini jack for microphone input. There’s no headphone jack.

The battery is the same compact LP-E6NH battery as used in the EOS R5, R6 and R7 cameras and supports USB charging. It is CIPA rated for approx. 450 shots/charge with monitor or 290 shots/charge with EVF and shares a compartment in the base of the grip with the memory card slot, which accepts UHS-I / UHS-II SD cards.

Sensor and Image Processing
The APS-C image sensor isn’t class-leading with an effective resolution of 24.2 megapixels and the format’s 1.6 times crop means pixel sizes are approximately 3.7 microns square, which is fine for most applications (and larger than the R7’s pixels). The native sensitivity range is ISO 100-32000 with extension to ISO 51200 available, if required.

Like the R7, the R10 supports JPEG, HEIF (High Efficiency Image File) format and both CR3 and Dual Pixel Raw formats for stills, with the 3:2 aspect ratio the default recording setting. The table below shows the image sizes for the supported file formats for all four aspect ratios.

Image size		Recorded pixels/megapixels
		Aspect ratio
		3:2	4:3	16:9	1:1
JPEG & HEIF	L	6000 x 4000/24.0	5328 x 4000/ 21.3	6000 x 3368/20.2	4000 x 4000/16.0
	M	3984 x 2656/10.6	3552 x 2664/9.5	3984 x 2240/8.9	2656 x 2656/7.1
	S1	2976 x 1984/5.9	2656 x 1992/5.3	2976 x 1680/5.0	1984 x 1984/3.9
	S2	2400 x 1600/3.8	2112 x 1600/3.4	2400 x 1344/3.2	1600 x 1600/2.6
CR3.RAW & C-RAW		6000 x 4000/24.0

Burst shooting speeds are pretty good for an entry-level camera, although not quite up to the capabilities of the R7. The table below shows the maximum buffer capacities for the mechanical and electronic shutters.

Image quality		File size (MB)	Maximum buffer capacity (standard card)
			15 fps (mechanical)	23 fps (electronic)
JPEG	L	8.7	123	70
	M	4.7	231	55
	S1	3.1	249	60
	S2	1.8	272	59
HEIF	L	9.1	90	56
	M	5.4	172	55
	S1	3.7	208	60
	S2	2.2	220	59
CR3.RAW	RAW	27.0	21	18
	C-RAW	14.0	40	32
RAW+JPEG	RAW+L	35.7	21	18
	C-RAW+L	22.7	40	32
RAW+HEIF	RAW+L	39.0	21	18
	C-RAW+L	26.0	40	32

The autofocusing system is similar to the R7’s, although because the sensor is different, performance is not quite the same. However, users can take advantage of subject recognition capabilities for locking onto human faces and eyes and we found it could also detect dogs, cats and birds.

The tap, touch and drag AF touch-screen interface introduced on the EOS M5 is also provided in the R10. So are the ‘case’ settings for the Servo AF mode, which have been ported across from higher-featured EOS cameras. AF acquisition is possible down to -4EV, making it a little less sensitive than the R7.

Video
Selecting the Movie mode on the mode dial gives you access to four resolution and frame rate settings, with standard and ‘light’ versions available for each, as shown in the screen grab below. The HFR (High Frame Rate) and time-lapse settings are on different menu pages. Time-lapse movie recording is the same as in the R7, with recordings made with ALL-I compression. Still image capture is not supported in movie mode.

The Movie record size options provided in the EOS R10’s menu.

Interestingly, the menu includes an option to use the shutter button to start and stop movie recording and also for activating Servo or One Shot AF but users miss out on the 4K UHD Fine plus Canon Log 3 and the Cinema Gamut setting. Movie recording can also be started via the self-timer by switching it on while in movie mode. Bit rates and file sizes are lower than in the R7, as shown in the table below.

The table below shows the recording options for PAL system users.

Movie recording size			Bit rate (Mbps)	File size (MB/min.)
Setting	Frame rate	Compression
4K UHD	50 fps	IPB Standard	230	1647
		IPB Light	120	860
	25 fps	IPB Standard	120	860
		IPB Light	60	431
4K UHD Crop	50 fps	IPB Standard	230	1647
		IPB Light	120	860
4K Time-lapse	25 fps	ALL-I	470	3362
Full HD (HFR)	100 fps	IPB Standard
		IPB Light	70	501
Full HD	50 fps	IPB Standard	120	858
		IPB Light	35	252
	25 fps	IPB Standard	30	216
		IPB Light	12	88
Full HD Time-lapse	25 fps	ALL-I	90	6

The Movie Digital IS, which applies a small frame crop to steady the video stream, is the same as in the R7, as are the zebra displays and time coding. The R10 can also output video to an external HDMI recorder.

Connectivity
The R10 offers the same built-in IEEE 802.IIb/g/n Wi-Fi and Bluetooth 4.2 wireless connectivity as the R7 and also supports auto image transfer. It has the same HDMI terminal (Type D) and USB-C port and can also be used with the optional BR-E1 wireless remote control. USB battery charging is supported and the R10 includes a regular 3.5 mm microphone jack but no connection for headphones.

Performance
The review camera turned in a sterling performance with the RF-S 18-45mm f/4.5-6.3 IS STM kit lens, including in our Imatest tests, where it was comfortably able to slightly exceed expectations for the sensor’s 24-megapixel resolution across most focal length settings with JPEG files. Even better results were obtained with CR3.RAW files recorded simultaneously with the JPEGs and converted into 16-bit TIFF format with Adobe Camera Raw (our preferred raw file processor).

Colour accuracy was almost identical to the results we obtained for the EOS R7 for both JPEGs and raw files. Resolution remained relatively high across the camera’s sensitivity range, although JPEG files showed more decline at high ISO settings than equivalent JPEGs from the EOS R7. The graph below shows the results of our Imatest tests across the camera’s sensitivity range.

Low light test shots were remarkably good for a cropped-sensor camera, with very little noise evident at sensitivity settings up to ISO 6400, followed by a gradual loss of sharpness as sensitivity was increased. However, exposure levels remained constant and both saturation and colour accuracy were retained throughout the sensitivity range.

The built-in flash is quite weak with a Guide Number of 6 (ISO 100/m) so its light can’t travel far before it attenuates. Our tests at different ISO settings were shot with the 45mm focal length setting. They showed slight under-exposure at ISO 100 and 200 but correctly exposed shots between ISO 400 and ISO 1600, after which the 1/60 second default synch speed delivered increasing over-exposures that resulted in files that were unusable by ISO 25600.

Auto white balance performance was similar to the results we obtained from the EOS R7. The ambience priority setting retained the warm cast of incandescent lighting and also preserved an orange cast in shots taken under warm-toned LED lights. But the white priority setting went a long way towards removing these warm casts.

Shots taken under fluorescent lighting showed no apparent colour cast, regardless of which auto WB setting was used. The same was true for flash shots using the on-board flash. The manual pre-sets slightly over-corrected with all four lighting types but it was easy to pull colours back into line with the in-camera adjustments provided. As usual, raw files provided plenty of scope for adjustments post-capture.

Autofocusing performance was very good for a camera at this level, particularly with respect to subject identification and tracking. As usual, the best results were obtained when the AF mode was matched to the subject and the appropriate ‘case’ setting was used. In such situations, we found very few instances where the camera failed to find focus.

Video quality was much as we expected, based on our findings with the EOS R7, even though the R10 has fewer capabilities. Exposure accuracy was consistently good, indicating fast responses to changes in subject brightness and contrast. Autofocusing while shooting movie clips was as fast and accurate as it was for stills.

Soundtracks recorded with the camera’s built-in microphones were usually clear and relatively immune to external noises for an omni-directional mic when the wind filter/attenuator was enabled. No interference was recorded from lens adjustments during autofocusing or zooming.

For our timing tests we used a 16GB SDHC I card with a read/write speed of 95 MB/second. It took a few seconds to power-up the review camera, largely because the lens had to be extended before the first shot could be captured.  Once that was done, the camera responded within half a second.

We measured an average capture lag of 0.3 seconds when moving from severely out-of-focus to sharp focus. This delay was reduced to less than 0.1 seconds when the camera had a shorter focus range to cover and then eliminated by pre-focusing the lens.

It took an average of 2.2 seconds to process a single file regardless of whether it was a JPEG, or a HEIF file, and 2.4 seconds for a CR3.RAW file or a RAW+JPEG or RAW+HEIF pair. Shot-to-shot times averaged 0.3 seconds.

In the high-speed continuous shooting mode with the electronic first curtain shutter we recorded 44 JPEG frames in 3.1 seconds before the camera paused, which is a rate of just over 15 fps, a little above the specified frame rate.. Processing this burst took just over 30 seconds. The same frame rate applied with HEIF files, which took much the same time to process.

When using the same settings for raw file capture, recording stopped after 16 frames were captured in 1.1 seconds, which is close to the 15 fps frame rate. It took almost 40 seconds to process this burst. We obtained similar results when recording RAW+JPEG pairs, although the camera paused after 15 frames and processing took a little longer.

Conclusion

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SPECS

Image sensor: 22.3 x 14.9  mm sensor with 25.5 million photosites (24.2 megapixels effective);  RGB primary colour filters, low pass filter
Image processor: DIGIC X
Lens mount:  RF mount
Focal length crop factor:  1.6x
Image formats: Stills: JPEG (DCF Ver. 2.0, Exif Ver. 2.31), HEIF, Dual Pixel RAW, C-RAW (CR3), RAW+JPEG; Movies: MP4 (H.264/MPEG-4 AVC or H.265/HEVC) IPB/ IPB Lite compression; HDR PQ Shooting available for stills & movies
Audio: AAC
Image Sizes: Stills: 3:2 aspect –  6000 x 4000,  3984 x 2656, 2976 x 1984, 2400 x 1600; 4:3 aspect – 5328 x 4000, 3552 x 2664, 2656 x 1992, 2112 x 1600; 16:9 aspect –  6000 x 3368,  3984 x 2240, 2976 x 1680, 2400 x 1344; 1:1 aspect – 4000 x 4000, 2656 x 2656, 1984 x 1984, 1600 x 1600; Movies:  4K UHD at 50/25p, Full HD at 100, 50, 25p
Aspect ratios: 4:3, 3:2, 16:9, 1:1
Image Stabilisation: Relies on lens IS (no in-body IS); Movie digital IS available
Dust removal:  Yes, Self Cleaning Sensor Unit plus Dust Delete Data acquisition and appending
Shutter (speed range): Mechanical/ Electronic shutter (30-1/4000 seconds plus Bulb; flash synch at 1/200 sec with mechanical shutter, 1/250 sec. with electronic first-curtain synch.
Exposure Compensation: +/-3 stops in 1/3- or 1/2-stop increments
Exposure bracketing: +/-3 stops in 1/3- or 1/2-stop increments
Other bracketing options: Focus Bracketing
Self-timer: 2 or 10 seconds delay
Interval recording: Yes, for time-lapse movies in 4K or Full HD resolution (ALL-I  compression)
Focus system: Dual Pixel CMOS AF with 100% frame coverage, working range EV -4 to 20 (f/1.2 lens, centre AF point, One-Shot AF, at room temperature, ISO 100)
AF  selection: Up to 651 zones (31 x 21) selectable for stills, 527 zones (31 x 17) for movies; Whole area AF, Spot AF, 1-point AF, Expand AF Area, Flexible Zone AF 1,2,3; subject detection: People, Animals, Vehicles
Focus modes: AFS (Single) / AFC (Continuous) / MF
Exposure metering: 384 [24×16 zone] zone evaluative metering with Partial (approx. 5.8%, Spot  (approx. 2.9%) and  Centre-weighted average and metering patterns; range –  EV -2 to 20 for stills, EV 0 to 20 for movies
Shooting modes: A, P, Tv, Av, M, B, C1, C2, Creative Filters plus Fv and  SCN for stills only)
Scene presets: Self Portrait, Portrait, Smooth skin, Group photo, Landscape, Panoramic shot, Sports, Kids, Panning, Close-up, Food, Night Portrait, Handheld Night Scene, HDR Backlight Control, Silent shutter
Picture Style modes: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined 1-3
Filter modes: Grainy B/W, Soft focus, Fish-eye effect, Water painting effect, Toy camera effect, Miniature effect, HDR art standard, HDR art vivid, HDR art bold, HDR art embossed
Colour space options: sRGB and Adobe RGB
ISO range: Auto, ISO 100-32000 (in 1/3 or 1-stop increments) with expansion to ISO 51200 in1-stop increments
White balance: Auto (Ambience priority/White priority), Daylight, Cloudy, Shade, Tungstent, White fluorescent light, Flash, Custom, Colour temperature setting (x 4)
Flash: Built-in flash; GN 6 (ISO 100/m)
Flash modes: Evaluative (Face Priority), Evaluative, Average metering, E-TTL  control
Flash exposure adjustment: +/- 2EV in 1/3EV steps
Sequence shooting: Max. 23 fps with electronic shutter; 15 fps with mechanical shutter
Buffer capacity: Max. 123 Large/Fine JPEGs, 21 RAW files
Storage Media: Single slot for SD, SDHC, SDXC cards (UHS-II compatible)
Viewfinder: OLED EVF with 2,360,000 dots, 119.88 fps refresh rate, 22mm eyepoint, 0.95x magnification, -3 to +1 dpt adjustment, brightness and colour adjustment
LCD monitor: Vari-angle 3-inch TFT colour LCD with 1.040,000 dots, 100% frame coverage, 7 brightness levels
Interface terminals: USB Type C (supports battery charging / camera power supply); Micro HDMI Type D; 3.5mm microphone terminal, Remote Switch RS-60E3 type terminal supported
Wi-Fi function: Built-in Wi-Fi (IEEE 802.11b/g/n); Bluetooth v 4.2 (Bluetooth Low Energy)
Power supply: LP-E17 rechargeable Li-ion battery; CIPA rated for approx. 450 shots/charge with monitor, 290 shots/charge with EVF in power-saving mode
Dimensions (wxhxd): Approx. 122.5 x 87.8 x 83.4 mm
Weight: Approx. 429 grams with battery and card
Distributor: Canon Australia; 1800 021 167

 

TESTS

Based on JPEG images recorded with the RF-S 18-45mm f/4.5-6.3 IS STM lens.

Based on CR3.RAW files recorded simultaneously and converted into 16-bit TIFF format with Adobe Camera Raw.

SAMPLES

All images and video captured with the RF-S 18-45mm f/4.5-6.3 IS STM kit lens.

Auto white balance with incandescent lighting, no corrections.

Auto white balance with incandescent lighting, AWB white priority mode.

Auto white balance with fluorescent lighting, no corrections.

Auto white balance with warm-toned LED lighting, no corrections. 

Auto white balance with warm-toned LED lighting, AWB white priority mode.


Auto white balance with flash.

ISO 100, 30-second exposure at f/6.3; 40mm focal length.

ISO 1600, 4-second exposure at f/11; 40mm focal length.

ISO 6400, 3-second exposure at f/13; 40mm focal length.

ISO 12800, 1-second exposure at f/11; 40mm focal length.

ISO 25600, 1-second exposure at f/16; 40mm focal length.

ISO 51200, 1/2-second exposure at f/16; 40mm focal length. 

Flash exposure at ISO 100, 1/60 second exposure at f/6.3; 45mm focal length.

Flash exposure at ISO 1600, 1/60 second exposure at f/6.3; 45mm focal length.

Flash exposure at ISO 6400, 1/60 second exposure at f/6.3; 45mm focal length.

Flash exposure at ISO 12800, 1/60 second exposure at f/6.3; 45mm focal length.

Flash exposure at ISO 25600, 1/60 second exposure at f/6.3; 45mm focal length.

18mm focal length, ISO 100, 1/320 second at f/11.

45mm focal length, ISO 100, 1/100 second at f/11.

45mm focal length, ISO 100, 1/500 second at f/11. JPEG file

45mm focal length, ISO 100, 1/500 second at f/11. CR3.RAW file recorded simultaneously with the above.


Subject recognition AF; 45mm focal length, ISO 320, 1/80 second at f/7.1.

18mm focal length, ISO 100, 1/80 second at f/8.

24mm focal length, ISO 100, 1/160 second at f/8.

Backlighting; 18mm focal length, ISO 100, 1/320 second at f/11.

45mm focal length, ISO 100, 1/500 second at f/7.1.

18mm focal length, ISO 125, 1/80 second at f/4.5.

35mm focal length, ISO 400, 1/60 second at f/5.6.

45mm focal length, ISO 100, 1/80 second at f/6.3.

32mm focal length, ISO 100, 1/160 second at f/8.

150mm focal length, ISO 400, 1/50 second at f/4.5.

45mm focal length, ISO 1600, 1/160 second at f/6.3.

45mm focal length, ISO 2500, 1/100 second at f/6.3. 

20mm focal length, ISO 6400, 1/8 second at f/10.

Still frame from 4K 25p video clip.

Still frame from 4K 25p Light video clip.

Still frame from 4K Crop 50p video clip.

Still frame from 4K Crop 50p Light video clip.

Still frame from FHD 50p video clip.

Still frame from FHD 50p Light video clip.

Still frame from FHD 25p video clip.

Still frame from FHD 25p Light video clip.

Additional image samples can be found with our review of the RF-S 18-45mm f/4.5-6.3 IS STM lens.

 

Rating

RRP: AU$1499 (body only); $1649 (with RF-S 18-45mm f/4.5-6.3 IS STM kit lens)

• Build: 8.8
• Features: 8.9
• Ease of use: 8.9
• Autofocusing: 9.0
• Still image quality JPEG: 9.0
• Still image quality RAW: 9.0
• Video quality: 8.9

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