Tim Hixson settles back into a comfortable couch at one end of his small office. Softly spoken and easy-going, there is nevertheless a certain containment and intensity in his manner.
The prostitutes in First Deadly Sin, Gerhard Joren’s photographic survey of the sex industry, are depicted neither as victims, nor heroes, nor villains. They are, however, depicted honestly.
It’s the middle of the night and Peter Solness is deep in the bush, setting up his tripod on a little sand bank in the moonlight. In front of him is a waterfall and as he frames the picture, thousands of sandflies swarm up to bite him about the legs. Having changed into a wetsuit after an hour or two of hiking, Solness is just beginning what will be a long night of stumbling over logs, climbing up slippery embankments and wading through icy water. When he finishes hours later, he’ll pack up the gear and make his way back along the same moonlit trail.