‘At 4.30 or 5am there’s enough light to see what’s going on and not too many deep shadows,’ says photographer Andrew Bell, sweeping his hand across an imposing image that looks at first glance like some immense, ancient temple. A tiny figure emerges from a door and another stands high above, looking down from the edge of the monumental structure. They seem to be part of some sort of mysterious tableau.
‘At 4.30 or 5am there’s enough light to see what’s going on and not too many deep shadows,’ says photographer Andrew Bell, sweeping his hand across an imposing image that looks at first glance like some immense, ancient temple. A tiny figure emerges from a door and another stands high above, looking down from the edge of the monumental structure. They seem to be part of some sort of mysterious tableau.
