Step through the door of the quiet suburban cottage Lewis Morley shares with Pat, his wife of 54 years, and you enter a long hallway lined with picture frames, boxes of prints and shelves stacked neatly with portfolios and books. The Morley sittingroom is a wonder. Interesting African artifacts share shelves with sculpture, prints and paintings. Some of the latter are Lewis’s own work, but many more are items he’s collected or been given. And there is shelf upon shelf of books on art and photography. The atmosphere is relaxed, genteel and bohemian.
Step through the door of the quiet suburban cottage Lewis Morley shares with Pat, his wife of 54 years, and you enter a long hallway lined with picture frames, boxes of prints and shelves stacked neatly with portfolios and books. The Morley sittingroom is a wonder. Interesting African artifacts share shelves with sculpture, prints and paintings. Some of the latter are Lewis’s own work, but many more are items he’s collected or been given. And there is shelf upon shelf of books on art and photography. The atmosphere is relaxed, genteel and bohemian.
