Sometimes things don’t work out quite the way you plan. Originally I’d intended to interview Geoffrey Simpson about his work as a cinematographer, with the idea of exploring the intersection between his craft and the art of photographic composition. Although he is an extremely busy fellow, we managed to conduct the interview. Unfortunately, it turned out to be difficult to organise the high resolution images from his films we’d need for publication in the magazine. Ownership and copyright issues that arise from such a highly collaborative art form, it seems, are extremely complex.
Sometimes things don’t work out quite the way you plan. Originally I’d intended to interview Geoffrey Simpson about his work as a cinematographer, with the idea of exploring the intersection between his craft and the art of photographic composition. Although he is an extremely busy fellow, we managed to conduct the interview. Unfortunately, it turned out to be difficult to organise the high resolution images from his films we’d need for publication in the magazine. Ownership and copyright issues that arise from such a highly collaborative art form, it seems, are extremely complex.
