September 18-23, 2005: Shetland was in floor-to-ceiling cloud when we arrived on Saturday evening and it has remained mostly cloudy ever since, with intermittent drizzle. Fortunately we have been able to take advantage of occasional sunny breaks, although the wind strength has ranged from steady to strong and gusty. This isn’t abnormal weather for September up here and locals tell us the whole summer has been a bit disappointing weather-wise. However, as with Orkney, you never know what changes will occur so it’s best to carry on as normal.
September 18-23, 2005: Shetland was in floor-to-ceiling cloud when we arrived on Saturday evening and it has remained mostly cloudy ever since, with intermittent drizzle. Fortunately we have been able to take advantage of occasional sunny breaks, although the wind strength has ranged from steady to strong and gusty. This isn’t abnormal weather for September up here and locals tell us the whole summer has been a bit disappointing weather-wise. However, as with Orkney, you never know what changes will occur so it’s best to carry on as normal. The early morning ferry to the island of Bressay, just off the eastern shore of Lerwick provided a good representation of the key features of the town: boats, ports and sea birds. No exposure adjustment was made to retain the semi-silhouette appearance of the main subjects. Taken with the Ixus 750.
The southernmost lighthouse in the Shetlands, photographed with the Ixus 750 using the tele setting. Under-exposure of 1/3 EV allowed the true colours and tonal levels in the subject to be revealed. The small camera proved very useful for taking shots in atrocious weather as it was easily carried in a pocket and very quick to start and shut down. The Ixus 750 was also used for this shot of the interior of the Croft House Museum. The slow synch flash provided enough light to capture the very dimly-lit subject without producing an unnatural balance of tones. The camera was steadied by holding it against a piece of furniture while the exposure was made. No other adjustments were required. This is the only time in Shetland when the subject brightness range exceeded the camera’s ability to capture the full tonal gamut. A grab shot taken inside a local shop with the Ixus 750, which was small and inconspicuous enough not to attract attention. The large screen made it easy to frame the shot. No exposure adjustment.
A rare patch of blue sky and sunlight over St Ninian’s Isle. Five minutes before this shot was taken it was raining and the residue of the rain cloud can be seen in the foreground. (The clouds and rain returned less than an hour later!) The shot was taken with the 18mm lens setting on the EOS 300D with a 1/3 EV underexposure. A view over the loch at East Burra taken with the 55-200mm lens set at 70mm. The shot was underexposed by 3/2 EV to record the tones as they appeared naturally. Fish farms can be seen in the water in the foreground. The northern end of Unst has similar boggy moorlands to many of the alpine areas in Tasmania and the walking tracks are similar, too. Tough, waterproof are essential. Taken with the Ixus 750’s wide angle setting. No exposure adjustment required. Wednesday we drove north, heading for Shetland’s northernmost island, Unst. Here we planned to walk through the Hermaness Nature reserve to the northernmost headland, from which we could view Muckle Flugga and Out Stack, Britain’s most northerly landmarks. Muckle Flugga means “big, steep-sided bird island” in Norse and is home to huge colonies of sea birds. Its lighthouse was designed by Thomas Stevenson (father of Robert Louis Stephenson of “Treasure Island” fame) and built between 1854-58. It was automated in 1995. Nearby rock “stacks” were crowded with gannets, the last of the sea birds remaining after the brief summer breeding season.
Britain’s northernmost outcrops, from left: Rumblings, Tipta Skerry, Muckle Flugga (with lighthouse), Out Stack. Taken with the EOS 300D using the 18-55mm lens at 45mm. Underexposed by 1/3 EV to record natural-looking hues and tones and the shot was cropped to remove excessive grey sky. [For more information on this location see www.visitshetland.com.]
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