September 11-12, 2005: Orkney at last, after a full day of travel from Oxfordshire. The least said about that, the better! In contrast, it’s easy to run short of words when trying to describe Orkney. For starters, the lighting is so variable. It can change from full sun to overcast in minutes and days that start with drizzling rain can evolve into either mist or intermittent sun and cloud.
September 11-12, 2005: Orkney at last, after a full day of travel from Oxfordshire. The least said about that, the better! In contrast, it’s easy to run short of words when trying to describe Orkney. For starters, the lighting is so variable. It can change from full sun to overcast in minutes and days that start with drizzling rain can evolve into either mist or intermittent sun and cloud.
Setting the camera to full auto or “P” can result in missed shots. You need between one and 1.5 EV of underexposure to capture the full colours of a sunrise or sunset and about a stop of overexposure to record misty scenes accurately. Even in full sunlight, the light is so gentle that it is rare to miss out on recording shadow detail. However, the tonal nuances in the grey-blue skies are easy to lose and I have frequently had to use a very light gradient filter on the sky in scenic shots to recapture the full range of hues and tones in the original scene.
The remains of a Bronze Age dwelling that probably housed an extended family roughly 3000 years ago. The house had running water and a central “cooking pot” made from slabs of stone, which was heated with hot rocks from an external fireplace. Roughly a metre square, this cooking pot also provided heating for the house. The stone structure would have been roofed with thatch. (Gradient filter added to restore the natural appearance of the sky.)
A typical Orcadian scene: path-side grasses are filled with wildflowers, the wind makes catspaws on the still water and the sunlit hillsides carry cloud shadows. The low tide reveals abundant seaweed along the rocky shoreline. This type of scene is easily captured with the camera in auto or “P” mode. Two stops of under-exposure were required to record the normal hues and tones of a colourful sunrise. In the north, sunrise lasts for almost an hour and the colours can be intense. Note the traditional fishing boat in the foreground. The roll-on-roll-off ferry between Stromness and the mainland port of Scrabster (near Thurso) leaves at around 7 am, with the returning ferry arriving at around 10.30. Bracketing is required to obtain a shot that captures the correct balance between the subject and its background and subsequent levels adjustment was required to recreate the true tones and hues in the scene. Dramatic lighting is common in Orkney. This shot shows a ship in Scapa Flow, lit by the late afternoon sun streaming through gaps in the clouds. Shot with the EOS 300D and 55-200mm lens. Boat handling skills are vital for children who grow up on an island. These primary school kids were out in a misty drizzle, exercising their sea legs and exploring the Stromness harbour. Wildflowers can be found almost everywhere and are ideal subjects for the Ixus 750. Its large screen makes it easy to frame shots at low angles and provides a clear view for the photographer. The style of the stone wall, with its vertical arrangement of capping stones, it typical of Orkney and northern Scotland.
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