A long-zoom digicam with a slim, pocketable body and above-average imaging performance.Panasonic’s new 9.1-megapixel DMC-TZ15 digicam is the latest in its ‘Travellers’ Zoom’ series of cameras. Replacing the 7.2-megapixel TZ3, it introduces a swag of new features that will appeal to point-and-shoot photographers who want a slim camera with a long zoom lens. The TZ15’s body is marginally smaller and lighter than its predecessor but just as pocketable and equally well-built.
Panasonic HDC-SD9
https://www.photoreview.com.au/reviews/convergence/panasonic-hdc-sd9/An ultra-compact HD camcorder for everyday snapshooters.Panasonic’s tiny HDC-SD9 camcorder represents the third generation of high-definition camcorders that record exclusively to an SD memory card. Designed for point-and-shoot video photographers, it is claimed as the world’s smallest and lightest Full-HD video camera. Featuring a 3CCD sensor system based on 1/6-inch (2.46 x 1.80 mm) CCDs, the SD9 also boasts a Leica Dicomar lens with 10x optical zoom.
Panasonic Lumix DMC-L1
https://www.photoreview.com.au/reviews/advanced-compact-cameras/panasonic-lumix-dmc-l1/A well-built Four Thirds system DSLR with a rangefinder camera control layout and dual-angle pop-up flash.Panasonic has described its new Lumix DMC-L1 as combining ‘analog operational concept and design’ and the new model looks and feels like a fusion of a rangefinder camera and the Olympus E-330 (on which much of the L1’s technology is based). With an RRP of $3,849, Panasonic is clearly capitalising on the prestige of the supplied Leica D Vario-Elmarit 14-50mm F2.8-3.5 lens and targeting Leica film camera users who have yet to move into digital capture.
Panasonic Lumix DMC-TZ10
https://www.photoreview.com.au/reviews/other-cameras/panasonic-lumix-dmc-tz10/A lightweight, 12x zoom camera for travellers who want advanced shooting controls plus 720p HD video recording.Offering 12.1-megapixel resolution plus a 12x optical zoom lens that covers the equivalent of 25-300mm focal length range, Panasonic’s Lumix DMC-TZ10 extends the appealing features of previous ‘Travellers’ Zoom’ models with a built-in GPS (Global Positioning System) receiver and P, A, S and M shooting modes. Its image stabiliser has been upgraded to a new POWER O.I.S. (Optical Image Stabiliser) with twice the steadiness of previous systems.
Panasonic Lumix DMC-LX2
https://www.photoreview.com.au/reviews/advanced-compact-cameras/panasonic-lumix-dmc-lx2/Plenty of user-adjustable controls in a high-resolution camera that fits into a jacket pocket.Released just over a year after the DMC-LX1, Panasonic’s Lumix DMC-LX2 model retains many of the admirable features of its innovative predecessor but boasts a higher resolution sensor (10.2 megapixels, vs 8.4). The main advantage of the new model lies in its ‘widescreen’ LCD monitor, which no longer letterboxes shots taken with the camera’s 16:9 setting. There’s also a new widescreen movie mode that records video clips at 1280 x 720 pixels, creating movies for playing back on widescreen TV sets. However, there’s still no optical viewfinder.
Panasonic Lumix DMC-G3
https://www.photoreview.com.au/reviews/advanced-compact-cameras/interchangeable-lens/panasonic-lumix-dmc-g3/The latest addition to Panasonic’s G-series micro four thirds cameras offers higher resolution, touch screen control and a lower price tag.Panasonic has reduced the price of its latest G-series camera, the Lumix DMC-G3, which is $200 cheaper than the model is replaces was upon initial release. Sensor resolution has been increased to 16 megapixels in the new model and full HD video recording capability is a step up from the G2. The G3 is also marginally smaller and lighter than its predecessor.
Panasonic Lumix DMC-FZ18
https://www.photoreview.com.au/reviews/advanced-compact-cameras/panasonic-lumix-dmc-fz18/A lightweight digicam with an optically-stabilised 18x optical zoom lens, RAW+JPEG support and a full range of adjustments.Successor to the successful FZ8 model, Panasonic’s latest long-zoom digicam, the DMC-FZ18 sports an 8-megapixel imager and a massive 18x Leica DC Vario-Elmarit lens that covers an equivalent focal length range from 28mm to 504mm. Otherwise the two models are superficially quite similar, although the FZ18’s image stabiliser is accessed via the menu instead of through a dedicated button. Internally some sigificant changes have been made in the newer model.
Panasonic Lumix DMC-FZ100
https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-fz100/A capable advanced digicam with a 24x zoom lens and support for Full HD video recording with stereo soundtracks.The Lumix DMC-FZ100 takes its place at the top of Panasonic’s FZ series of digicams, which are designed for photo enthusiasts and support raw file capture. Slotting in above the FZ35 (which we reviewed in November, 2009), it extends the zoom range and adds Full HD recording with stereophonic soundtracks.
Panasonic Lumix DMC-FX520
https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-fx520/A compact, lightweight digicams with an advanced set of functions, touch screen control and above-average performance.The 10.1-megapixel Lumix DMC-FX520 is Panasonic’s first digital camera with a 3-inch touch-screen LCD and a very compact camera for its advanced range of functions. While the touch screen may excite some buyers, photographers are more likely to be attracted by the P, A, S and M shooting modes and the wide-angle Leica DC lens, which supports 5x optical zoom and covers a focal length range of 25mm to 125mm (35mm equivalent).
FIRST LOOK: Panasonic Lumix DMC-FZ35
https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/first-look-panasonic-lumix-dmc-fz35/An advanced digicam with a fast, 18x zoom lens plus support for raw file capture and AVCHD Lite HD video recording capability.Panasonic’s new DMC-FZ35 Lumix camera replaces the popular FZ28 at the top of the super-zoom line-up and offers P, A, S and M shooting modes to please photo enthusiasts, along with AVCHD Lite HD video recording. This ‘First Look’ is based upon a pre-production unit supplied by Panasonic Australia; it will be updated with Imatest results and sample images once a production unit has been supplied.