A pocketable camera with a large Foveon sensor that delivers rich, natural-looking colours plus a wide dynamic range and supports raw file capture.Sigma’s DP1x features the same 20.7 x 13.8 mm Foveon X3 sensor and wide angle lens as Sigma’s first large-sensor compact camera, the DP1, which was released just over three years ago. This recent update is largely cosmetic and combines the rear panel interface design of the DP2s with the True II processor from the DP2. It also introduces a revised autofocusing algorithm.
Photo Review Reviews section
The first compact digital camera with a relatively large image sensor.We’ve been waiting for Sigma’s DP-1 digital camera for approximately 18 months. First announced at Photokina in September 2006, it has been withheld from the market through what Sigma describes as “unforeseen image quality problems which resulted in a requirement to change the specification of the camera’s imaging pipeline”. But it’s here now – and a very interesting camera it has turned out to be.
Pentax’s first super-zoom digicam offers high-speed continuous shooting and 720p HD video recording.Pentax enters the competitive super-zoom market with the X70, a 12-megapixel digicam with an advanced suit of controls and a 24x optical zoom lens. Covering a focal length range equivalent to 26-624mm in 35mm format, the lens boasts a fast f/2.8 maximum aperture at the widest position and the camera includes an ‘Intelligent Zoom’ function that can extend magnification to 150x, providing an equivalent focal length of approximately 3900mm at VGA resolution. Sensor-shift image stabilisation and a 2.7-inch monitor are other key features.
An upgrade to Panasonic’s popular enthusiast digicam flagship with improved ergonomics, autofocusing and image quality.The enthusiast digicam market has changed in the two years since Panasonic released its popular DMC-LX3 Lumix digicam and the new LX5 model faces tough competition both from high-end digicams from other manufacturers and the new Micro Four Thirds cameras released by Panasonic and Olympus. To meet this challenge, Panasonic has improved the user interface on the LX5 and increased the range of the zoom lens to the equivalent of a 90mm lens in 35mm format.
A mirrorless camera with SLR-like styling, touch-screen controls and sophisticated video recording capabilities.Although it was announced at Photokina 2010, we only received a review unit for the Panasonic GH2 at the end of January, which is a pity as this camera has plenty to offer to Photo Review readers. Replacing the DMC-GH1, it offers higher resolution and an extended ISO range as well as adopting popular features from the DMC-G2including the touch-screen monitor and re-designed control layout.
A compact, rangefinder-styled Micro Four Thirds System camera that accepts interchangeable lenses.In the GF1, Panasonic has challenged Olympus with a similar, rangefinder-like model that tackles some of the deficiencies of the E-P1 and exploits the not insignificant potential of the Micro Four Thirds (M4/3) sensor format. In addition, by providing HD video recording – using the AVCHD Lite format offered in the company’s digicams, the GF1 also confronts the main criticism levelled at the G1: the lack of video capture.
Most of the features of the DMC-G2 in a lighter, more affordable camera body.Attach the LCD monitor to the back panel, remove the touch screen overlay, reduce the viewfinder resolution to 202,000 dots and disable the stereo sound recording capability and you’ve converted the Panasonic Lumix DMC-G2 into the DMC-G10. You’ve also saved $300 in the process. In this review, we’ll focus on the differences between the two cameras, as shown in the table below.
An update to the popular G1 Lumix camera with a new touch-screen interface plus easier video recording.On its release this month, Panasonic’s Lumix DMC-G2 will be the world’s first system camera with touch-control shooting and playback. Offered in black, blue and red, the new model retains many of the features of its predecessor, including the 12.1-megapixel (effective) Live MOS sensor and 1,440,000-dot Live View Finder. However, it’s quite a bit cheaper and, unlike the G1, it can be used for video capture, where it offers a top resolution of 1280 x 720 pixels.
An advanced digicam with a fast, 18x zoom lens plus support for raw file capture and AVCHD Lite HD video recording capability.Panasonic’s DMC-FZ35 Lumix camera replaces the popular FZ28 at the top of the super-zoom line-up and offers P, A, S and M shooting modes to please photo enthusiasts, along with AVCHD Lite HD video recording. It carries on the SLR-like styling of its predecessor, along with the same Leica DC Vario-Elmarit zoom lens. Other familiar features include the joystick controller, which was first seen in the FZ7 model plus much of the control layout and most menu functions.
A welcome update to the FZ100 with a 12.1-megapixel sensor, improved optics and ISO performance plus new Full HD video recording capabilities.The Lumix DMC-FZ150 replaces the FZ100 at the top of Panasonic’s super-zoom digicam line-up. Announced on 26 August, it features a new, 12.1-megapixel MOS sensor (down from 14MP in the FZ100) but retains the same 24x zoom lens but adds a new ‘Nano Surface Coating’ to minimise flare and ghosting caused by internal reflections. The lens also carries a new zoom control on the side of its barrel, providing an alternative to the lever zoom surrounding the shutter button.