Most of the features of the DMC-G2 in a lighter, more affordable camera body.Attach the LCD monitor to the back panel, remove the touch screen overlay, reduce the viewfinder resolution to 202,000 dots and disable the stereo sound recording capability and you’ve converted the Panasonic Lumix DMC-G2 into the DMC-G10. You’ve also saved $300 in the process. In this review, we’ll focus on the differences between the two cameras, as shown in the table below.
A pocketable PEN camera that comes in six fashionable colours and supports some creative shooting modes plus Full HD video recording.The PEN Mini E-PM1 is the smallest, lightest and simplest of the three interchangeable-lens mirrorless cameras announced by Olympus in June 2011. Designed for snapshooters looking for a very compact camera that’s easy to use but delivers above-average image quality, it offers most of the sophisticated functions provided by its up-market siblings.
The latest entry-level PEN camera comes with a new kit lens, adjustable Art Filters and support for additional accessories.Announced in early January, the E-PL2 is a fourth-generation model in Olympus’s PEN family of compact interchangeable lens cameras. Featuring the same 12.3-megapixel Live MOS Sensor as the E-PL1, the new model has a redesigned user interface and larger, higher-resolution LCD monitor. A built-in flash has been added, along with a new M.Zuiko Digital ED 14-42mm f/3.5-5.6 II MSC kit lens that is 25% lighter than its predecessor.
A new flagship model in the PEN series of interchangeable-lens cameras provides improved functionality and support for Full HD video.The E-P3 is the flagship model of three PEN-series cameras announced by Olympus at the end of June. The 12.3-megapixel sensor from previous PEN models continues in all three cameras, which differ in body size, appearance and functionality. The E-P3 introduces a number of enhancements, among them the addition of a built-in flash and refinements to the autofocusing system, thanks largely to a new, more powerful image processor.
Olympus’s first Micro Four Thirds camera targets the gap between digicams and DSLRs for serious photographers and also supports HD video recording.The Olympus Pen E-P1 is the third Micro Four Thirds (MFT) camera to reach the market and is quite different from the Panasonic G-series models that preceded it. Capitalising on the heritage of the popular ‘Pen’ series cameras, which were launched 50 years ago, it comes with a Four Thirds format, 12.3-megapixel (effective) Live MOS image sensor that supports both still and HD video capture.
A radical new camera system in which lens-plus-sensor modules are changed via a slide-in mounting.Ricoh has unleased a design revolution with its new GXR system. It’s the first camera body that accepts interchangeable sensor-plus-lens modules, allowing buyers to choose the body/lens combination that suits them and providing a camera system with great flexibility for upgrading and expansion.
An optically-stabilised extended-zoom lens for Micro Four Thirds System cameras.Initially the Lumix G Vario HD 14-140mm, f/4.0-5.8 ASPH./MEGA O.I.S. lens will be the main kit lens supplied with the GH1 body. However, it is also being sold as a stand-alone product, which is why we’ve reviewed it separately. Consisting of 17 elements in 13 groups, it includes four non-spherical elements and two ED (Extra-low dispersion) elements.
A fast, ultra-compact prime lens for Micro Four Thirds System cameras.Launched at the same time as the Lumix DMC-GF1 camera Panasonic’s Lumix G 20mm f/1.7 ASPH. lens will be offered with the camera body and makes an attractive kit option for serious photographers. Compact enough to make the GF1 a pocketable option, it also provides a fast f/1.7 maximum aperture that lets photographers shoot with a shallow depth-of-field.
A lens with a peripherally distorted, ultra-wide angle of view for Micro Four Thirds System cameras.People are often intrigued by anything that changes the way they view subjects, which accounts for some of the popularity of fisheye lenses. Panasonic’s Lumix G Fisheye 8mm f/3.5 lens, which was announced in June, is the first (and, so far, only) fisheye lens for Micro Four Thirds System cameras. Offering a 180-degree diagonal field of view it provides a radically different perspective.
A fast, lightweight ‘pancake’ prime lens for Micro Four Thirds System cameras.Panasonic’s Lumix G 14mm f/2.5 ASPH lens was released roughly a year ago with the GF2 camera body. A fast and compact, ‘pancake-styled’ prime lens, it is also offered with the new GF3 camera and bundled in the single-lens kit, which has an RRP of $899, where it represents great value for money. If you buy this lens on its own, however, the RRP is $649, which will probably deter potential buyers.