In summary
The X-T10 will be welcomed by photographers who appreciate Fujifilm’s nouveau-retro design, solid construction and traditional controls. Arriving on the market at a significantly lower price than the X-T1 with which it shares so many features, it represents good value for money in terms of overall image quality ““ particularly if you shoot JPEGs.
It may lack the touch screen of its Olympus and Panasonic rivals and its AF system may not be as quick. But its EVF has high enough resolution to satisfy photographers who are swapping from a DSLR to a more compact camera. It is also more convenient to use when shooting movie clips and reviewing shots or checking camera settings in bright conditions.
The new auto mode switch and the built-in flash will make it more attractive to novice users, particularly those moving up from a fixed-lens digicam. As a second body to accompany the X-T1, the different control layouts, lack of an ISO dial and smaller buffer memory could be deal-breakers for some.
Fortunately, image quality is good enough to satisfy the pickiest of photographers, particularly for JPEG files, although raw files remain problematic. If only Fujifilm would ditch Silkypix for a better raw file processor, they have potential to better the camera’s excellent JPEG capabilities.
Full review
Fujifilm’s X-T10, which was released in late June, shares many features with last year’s X-T1 camera, including the16.3-megapixel APS-C X-Trans II CMOS sensor and EXR Processor II chip and offers the same still picture and movie recording capabilities. It even uses the same NP-W126 rechargeable lithium-ion battery, which CIPA rated for around 350 shots/charge. The main differences between these models are the X-T10’s smaller, lighter body, a slightly different control layout and, of course, a significantly lower price tag.
The Fujifilm X-T10 camera, silver version, shown with the XC 16-50mm lens that will be offered with the camera body. (Source: Fujifilm.)
Both cameras’ bodies are made with magnesium alloy, but the X-T1 includes weatherproof sealing, while the X-T10 doesn’t. There are a few other, relatively minor differences, which are listed below.
At launch, the X-T10 was only offered in kit format with either the XC16-50mm lens for an RRP of AU$1,299 or the XF18-55mm lens for AU$1,499. Market competition has seen some reduction in prices and we were able to find the X-T10 body selling for around AU$900, while the lowest price for the X-T1 was just under AU$1500. The average price difference was about AU$500, which should allow you to invest in one more lens.
So what do you give up by choosing the X-T10 over the X-T1? The table below shows the main differences between the two cameras.
|
|
Fujifilm X-T10 |
Fujifilm X-T1 |
|
Dimensions (wxhxd) |
118.4 x 82.8 x 40.8 mm |
129.0 x 89.8 x 46.7 mm |
|
Shooting weight* |
381 grams |
440 grams |
|
Weather sealing |
No |
Yes |
|
Programmable function buttons |
7 |
6 |
|
Viewfinder specs |
OLED EVF with 2.36M dots 0.62x magnification |
OLED EVF with 2.36M dots, 0.77x magnification |
|
LCD specs |
Tilting 3 inch TFT LCD, 920k dots |
Tilting 3 inch TFT LCD, 1040k dots |
|
Flash |
Pop-up, GN approx. 7 (ISO 200/m) |
Bundled external EF-X8, GN approx. 11 (ISO 200/m) |
* includes battery and memory card
Aside from that, while the X-T10 has three dials on its top panel they are differently configured from those on the X-T1 (which could be important if you’re looking for a back-up body). The one to the left of the EVF housing is the drive dial on the X-T10, whereas the X-T1’s dial for adjusting ISO sensitivity is located on top of the drive dial.
Another difference is the lever switch below the shutter speed dial on the X-T10, which swaps between the auto and manual shooting modes. This switch is missing from the X-T1. The auto mode includes scene recognition and accesses the Scene presets.
In both cameras, the manual shooting modes are set with the shutter speed dial on the camera and the aperture ring on the lens, both of which include A (auto) positions. Moving one of these on or off the A position sets the camera into either shutter- or aperture-priority AE, just like the classic rangefinder cameras. Moving both provides full manual control.
Who’s it For?
All of the above information suggests the X-T10 will suit serious photographers who can’t afford the X-T1 or those who don’t need weatherproofing. Neither camera is suitable for technologically-challenged users. But the provision of seven programmable function buttons should appeal to photographers who enjoy customising camera controls to suit their own ways of shooting.
Neither camera has much appeal to anyone looking for 4K movie capabilities or anything better than 1080p resolution at a maximum of 50 fps for PAL systems users. Potential buyers should also consider the camera’s limitations respect to raw file capture, which is only supported at ISO settings between 200 and 6400.
Build and Ergonomics
The X-T10’s mostly magnesium alloy body offers classic rangefinder styling, with shutter speeds adjusted via a prominent dial on the top panel, just right of the EVF housing. Apertures are set via a ring on the lens. The camera will be offered in black or ‘silver’, the latter with metal top and base plates. Both models have a finely textured rubber cladding covering the area between those plates to provide a secure grip.
Front view of the Fujifilm X-T10 (black version) with no lens fitted . (Source: Fujifilm.)
As interchangeable-lens cameras go, the X-T10 is relatively small and light, being roughly 30% smaller in volume than a typical entry-level DSLR. It’s also marginally smaller and about 20 grams lighter than the recently-released Olympus OM-D E-M10 Mark II, which uses a smaller image sensor but offers similar resolution for a lower price. (Olympus lenses are smaller because the cameras have M4/3 sensors so camera+lens kits will usually be lighter than Fujifilm’s.)
The front panel has a relatively shallow grip moulding, compared with the X-T1, but it’s complemented by a generous thumb rest on the rear panel. Aside from that, the main difference between the X-T10 and X-T1 is the lack of the programmable function button below the command dial and the flash synch port above the focus mode selector.
The top panel of the X-T10. (Source: Fujifilm.)
Most camera controls are located on the top panel, where the X-T10 and X-T1 have similar layouts, particularly on the right hand side of the viewfinder housing. The shutter speed and EV compensation dials are in the same positions and carry identical settings, although the lever below the shutter speed dial is in different places and acts as an auto/manual mode selector on the X-T10 but selects metering modes on the X-T1. The movie record buttons are identical in both cameras.
The shutter button and surrounding the power on/off switch are the same in both cameras, although the X-T10’s shutter button has a cable release threading that the X-T1 lacks. However, the X-T1 has a function button that is missing from the X-T10.
Left of the EVF housing is the drive mode dial, which has settings for selecting single or burst shooting (high and low speeds) as well as bracketing, multiple exposure and panorama shooting modes. There are two Adv. positions for selecting the Advanced filters, enabling different filters to be assigned to each.
Unfortunately, it’s easy to re-set this dial inadvertently and discover after a couple of shots that you’ve swapped from single-frame shooting to the Adv 1 filter mode. Watch out for sudden changes in image colour, the presence of vignetting or any other irregularities that suggest image manipulation. Fortunately, these filters are only applied to JPEGs so if you shoot RAW+JPEG pairs you’ll have an untainted raw file to work with if you do slip up.
The pop-up flash is built into the EVF housing. (Source: Fujifilm.)
Below the drive mode dial is the flash pop-up lever, which raises the built-in flash that is cleverly tucked into the top of the EVF housing (shown above). A hot-shoe on top of the EVF housing allows external flashguns to be used.
Rear view of the X-T10. (Source: Fujifilm.)
The rear panel of the X-T10 is dominated by the tilting monitor, which articulates outwards to allow low-angle shooting and can be tilted downwards when the camera is held above the head. Its resolution is lower than the X-T1’s but it’s still quite sharp and clear. Like the X-T1, it lacks touch-screen capabilities.
Above the top left hand corner of the screen are the Delete and Playback buttons, while the AE-L button are the rear command dial and AF-Lock button line up to the right of the EVF. The EVF itself is slightly smaller than the X-T1’s and its magnification is a little less but its resolution is the same and it also includes an eye sensor. A button on the right side of the housing cycles through the four display modes, which are the same as those on the X-T1.
To the right of the monitor is the usual cluster of buttons that include the arrow pad and Quick menu, Display/Back and Fn (function) buttons. The latter replaces the Focus Assist button on the X-T1. When using the EVF to compose shots, we often inadvertently switched on one of the sub-menu functions that are accessed via the arrow pad. This can be really annoying and you have to half-press the shutter button fairly strongly or hit the DISP/BACK button to restore normal viewing functionality.
The menu system is similar to the X-T1’s and requires a lot of toggling through five pages of shooting menu and three covering playback and other operations. The shooting menu provides a Select Custom Setting mode that accesses seven memory banks, where you can store various combinations of camera settings. There are nine parameters to choose from and each custom setting can carry any combinations of them. It takes a while to set them up but can eliminate a lot of toggling later on.
Alas, most of the programmable adjustments only apply to JPEGs and, when you select one, you can’t tell which one you’ve chosen because it’s not displayed during use. This makes them less useful for serious photographers who shoot raw files for preference.
The battery compartment is in the usual place in the base of the camera, below the grip moulding. The memory card slot shares this compartment, indicating it’s a less sophisticated camera than the X-T1, which has a separate card slot. The compartment is pretty cramped, making the card hard to extract. Beside the battery/card compartment is a metal-lined tripod mounting, which is offset from the optical axis of the lens.
Interface ports for Micro USB, mini HDMI and an external microphone or remote release, are located in a dedicated compartment in the left hand side panel. Unlike the X-T1, the X-T10 has no provision for an optional vertical battery grip.
Sensor and Image Processing
Both are the same as in the X-T1 and covered in our review of that camera. The main differences between the cameras include the buffer memory for continuous shooting, which is the X-T10 can only hold eight RAF.RAW files, compared with 20 in the X-T1. However, our tests showed is could accommodate more than 40 high-resolution JPEGs, not much less than the X-T1.
The ‘Motion Panorama’ modes are the same as the X-T1’s and JPEG only. Movie options are slightly better, with 60, 50, 30, 25 and 24 frames/second settings available instead of just 30 frames/second. But resolution is limited to Full HD (1920 x 1080 pixels) and HD (1280 x 720 pixels).
Focus Controls
The focusing system in the X-T10 is an updated version of the system in the X-T1 (which was recently brought up to date via a firmware update). It has 77 contrast detection and 15 phase detection points, the latter in a 5 x 3 point array in the centre of the frame, as shown in the illustration below.
These diagrams show the arrays of contrast detection (left) and phase detection (right) sensors. (Source: Fujifilm.)
The phase detection pixels can function in light levels down to 0.5EV, an improvement from the previous 2.5EV in the X-T1’s original system. This should enable faster focusing in low-light conditions and on low-contrast subjects.
The X-T10 also introduces new Zone and Wide/Tracking modes for tracking subjects moving across the field of view. The Zone mode allows users to select a 3 x 3, 5 x 3 or 5 x 5 AF area, which can combine with tracking AF in the AF-C mode, although only in the phase detection area. In the Wide/Tracking mode, the camera automatically selects and focuses using several of the 77-point focus areas.
Face detection and eye detection AF are also available and they can be combined to help the lens focus upon the eye nearest to the camera in portrait photography. The new AF system’s Auto Macro function eliminates the need to press the Macro button before shooting close-ups while maintaining the normal AF speed. AF algorithms have also been ‘optimised’ to make focusing smoother and more natural-looking during movie recording.
Playback and Software
Unfortunately, nothing much has changed since previous models. No software is bundled with the camera but there are links in the printed user manual to the very basic MyFinePix Studio and ineffective raw file converter based on Silkypix technology. The latter is slow and we’ve demonstrated more than once that it doesn’t extract the best results from the camera’s RAF.RAW files.
Performance
We carried out our main Imatest tests with the XF 56mm f/1.2 R APD lens that was supplied with the review camera but also took some test shots with the Fujinon XF10-24mm f/4 R OIS lens. Both lenses are reviewed separately.
Not unexpectedly, many aspects of imaging performance were similar to our results from the X-T1 JPEGs straight from the camera with the default settings contained plenty of detail and a good dynamic range and, although initially slightly soft, sharpened up nicely in Photoshop. Colour rendition was close to natural, although Imatest showed a slight warm bias, which is likely to please portrait photographers.
Imatest confirmed our subjective assessments of image quality and confirmed that centre-of-field resolution matched or exceeded expectations for the camera’s 16-megapixel sensor at all ISO settings up to ISO 1600 for both JPEGs and RAF.RAW files that were converted into 16-bit TIFF format with Adobe Camera Raw v.9.2. The graph below shows the results of our tests.
JPEGs taken with long exposures at night showed little in the way of noise up to ISO 3200, with an increase in the visibility of noise from ISO 6400 on. The three highest sensitivity settings were increasingly soft and granular looking and we would advise against using them unless absolutely necessary.
Flash exposures were even across the camera’s ISO range, with shutter priority mode and a 1/60 second exposure. This is because the camera automatically adjusts the aperture to control exposure levels.
As sensitivity was increased, the influence of ambient lighting became increasingly apparent, although the flash fired for every exposure. The same loss of contrast and softening could be seen in flash shots at the highest ISO settings as we found for long exposures.
White balance performance was similar to the results we obtained from the X-T1, which isn’t surprising since both cameras have the same presets and adjustments for correcting colour casts before shooting. The auto setting failed to totally remove the warm cast from shots taken under incandescent lighting and retained a slight greenish tint under fluorescent lighting, while showing a slight cyan bias with flash lighting .
The incandescent and fluorescent presets over-corrected slightly, with the various fluorescent lighting settings imparting slightly different colour casts and the flash pre-set providing good correction. Manual measurement produced neutral colour rendition with all three types of lighting.
Autofocusing performance was generally good and mostly fast when the single-point mode was used in bright conditions, although it could slow a littler in low light levels and with low-contrast subjects. Fortunately hunting was comparatively rare, compared with the X-T1 we reviewed.
The continuous AF was also quite quick and usually accurate, although subject acquisition was occasionally slightly slower than we wanted. Focus tracking was generally good, particularly with the 56mm f/1.2 lens, where it was probably influenced by the wide maximum aperture. Without a suitable telephoto lens, we can’t confirm whether the system is fast enough for shooting sports or birds in flight.
Movie quality was similar to the X-T1’s and good enough to satisfy users who only want Full HD 1080p quality. We noticed slight delays in re-focusing when subject distances changed and when the zoom was used but they weren’t serious and would be easy to edit out post-capture.
The camera’s microphones were just as sensitive to wind noise as the X-T1’s and, although recording levels can be adjusted in the camera’s menu, like the X-T1, the X-T10 has no wind suppression filter. We were unable to test audio performance with an external microphone.
Our timing tests were carried out with a 16GB Panasonic SDHC Class 10 U1 memory card, using the Fujinon XF 56mm f/1.2 R APD lens, which was supplied with the camera and was selected on the basis of its speed. It took roughly a second to power the review camera up but it shut down almost instantly.
We measured an average capture lag of 0.5 second, which reduced to 0.1 seconds with pre-focusing. Lag times were as long as 0.9 second when the lens was seriously defocused. On average, it took 2.3 seconds to process each JPEG file, 2.4 seconds for each RAF.RAW file and 2.5 seconds for each RAW+JPEG pair. Shot-to shot times averaged 1.3 seconds without flash and 3.5 seconds with.
In the high-speed continuous shooting mode, the review camera recorded 40 full-resolution JPEG images in 5.9 seconds before slowing. This is slightly slower than the specified eight frames/second. It took 11.8 seconds to process this burst.
When raw file capture was selected, eight frames were recorded in 2.2 seconds. It took 21.8 seconds to process this burst. Only seven RAW+JPEG pairs were captured before the camera paused, after recording for 2.3 seconds. It took 23.2 seconds to process this burst.
Conclusion
The X-T10 will be welcomed by photographers who appreciate Fujifilm’s nouveau-retro design, solid construction and traditional controls. Arriving on the market at a significantly lower price than the X-T1 with which it shares so many features, it represents good value for money in terms of overall image quality ““ particularly if you shoot JPEGs.
It may lack the touch screen of its Olympus and Panasonic rivals and its AF system may not be as quick. But its EVF has high enough resolution to satisfy photographers who are swapping from a DSLR to a more compact camera. It is also more convenient to use when shooting movie clips and reviewing shots or checking camera settings in bright conditions.
The new auto mode switch and the built-in flash will make it more attractive to novice users, particularly those moving up from a fixed-lens digicam. As a second body to accompany the X-T1, the different control layouts, lack of an ISO dial and smaller buffer memory could be deal-breakers for some.
Fortunately, image quality is good enough to satisfy the pickiest of photographers, particularly for JPEG files, although raw files remain problematic. If only Fujifilm would ditch Silkypix for a better raw file processor, they have potential to better the camera’s excellent JPEG capabilities.
It would also be nice if Adobe improved Camera Raw’s handling of RAF.RAW files so you don’t need to spend as much time experimenting with conversion settings to obtain good results. (Note: as part of our standardisation system, we keep the same basic conversion settings ““ involving minimal adjustments ““ for all camera and lens reviews.)
When it comes to movies, the X-T10 isn’t a star, although it’s more convenient to use outdoors for recording clips than a DSLR. But Fujifilm has never been able to match companies like Panasonic, Samsung and Sony in this area and most potential buyers should be OK with that.
SPECS
Image sensor: 23.6 x 15.6 mm X-Trans CMOS II sensor with 16.7 million photosites (16. 3 megapixels effective)
Image processor: EXR Processor II
Lens mount: Fujifilm X mount
Focal length crop factor: 1.5x
Image formats: Stills – JPEG (Exif Ver 2.3), RAW (RAF format), RAW+JPEG; Movies – MOV with H.264 compression, Linear PCM Stereo audio
Image Sizes: Stills ““ 3:2 aspect: 4896 x 3264, 3456 x 2304, 2496 x 1664; 16:9 aspect: 4896 x 2760, 3456 x 1944, 2496 x 1408; 1:1 aspect: 3264 x 3264, 2304 x 2304, 1664 x 1664; Motion panorama: L: Vertical: 2160 x 9600 / Horizontal: 9600 x 1440, M: Vertical: 2160 x 6400 / Horizontal: 6400 x 1440; Movies: [Full HD] 1920 x 1080: 50p, 30p, 25p, 24p; [HD] 1280 x 720 50p, 30p, 25p, 24p
Image Stabilisation: Lens based
Dust removal: Ultra Sonic Vibration
Shutter (speed range): Mechanical shutter: 30sec. to 1/4000sec., Electronic shutter: 1sec. to 1/32000sec. plus Time (30sec. to 1/4000sec.) and Bulb (max.60min.); flash synch at 1/180sec. or slower
Exposure Compensation: +/- 3EV in 1/3EV steps (+/-2EV for movies)
Exposure bracketing: (+/-1/3EV, +/-2/3EV, +/-1EV)
Other bracketing options: Film Simulation Bracketing, Dynamic Range Bracketing, ISO sensitivity Bracketing, White Balance Bracketing
Self-timer: 2 or 10 seconds delay
Focus system: Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF), AF assist illuminator available
Focus modes: Single / Continuous AF, MF; Single Point AF: 49 areas on a 7×7 grid (Changeable size of AF frame among 5 types), Zone AF: Selectable with 3×3 / 5×3 / 5×5 areas from 77 areas on an 11×7 grid, Wide/Tracking AF: Automatic selection from 77 areas on an 11×7 grid; Eye detection / Face Detection AF, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image
Exposure metering: TTL 256-zone metering with Multi, Spot and Average patterns
Shooting modes: Programmed AE, Shutter Speed priority AE, Aperture priority AE, Manual exposure
Advanced Filter: Toy camera, Miniature, Pop colour, High-key, Low-key, Dynamic tone, Soft focus, Partial colour (Red / Orange / Yellow / Green / Blue / Purple)
Film Simulation Modes: Provia/Standard, Velvia/Vivid, Astia/Soft, Classic Chrome, PRO Neg Hi, PRO Neg. Std, Monochrome, Monochrome +Ye Filter, Monochrome +R Filter, Monochrome +G Filter, Sepia
Colour space options: sRGB and Adobe RGB
ISO range: Auto, ISO 200-6400, extendable to ISO 100, ISO 12800, ISO 25600, ISO 51200 (JPEG only)
White balance: Auto, Fine, Shade, Fluorescent light (Daylight / Warm White / Cool White), Incandescent light, Underwater, Colour temperature setting
Flash: Manual pop-up flash; GN approx. 5 (ISO100/m); approx. 7 (ISO200/m)
Flash modes: Auto, Forced Flash, Slow Synchro, Suppressed Flash, Rear-curtain Synchro, Commander; red-eye reduction is available
Flash exposure adjustment: +/- 2EV in 1/3EV steps
Sequence shooting: Max. 8 shots/sec.
Buffer capacity: Max. 40 Large/Fine JPEGs, 8 RAW files or 7 RAW+JPEG pairs (as tested)
Storage Media: SD, SDHC, SDXC cards (Compatible with UHS-I standard SDHC / SDXC Memory Cards)
Viewfinder: 0.39-inch, approx. 2.360K-dot OLED colour viewfinder with approx. 100% coverage, built-in eye sensor, approx. 17.5mm eyepoint, dioptre adjustment : -4m-1 to +2m-1
LCD monitor: Tilting 3.0-inch, 3:2 aspect ratio, approx. 920,000 dots, type colour LCD monitor (approx. 100% coverage)
Playback functions: RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye reduction, Photobook assist, Erase selected frames, Image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favourites
Interface terminals: USB 2.0 High-Speed / micro USB terminal, HDMI Micro connector (Type D), Microphone / shutter release input: ø¸2.5mm, stereo mini connector
Wi-Fi function: IEEE 802.11b/g/n, Infrastructure mode
Power supply: NP-W126 Rechargeable Li-ion Battery Pack; CIPA rated for approx. 350 shots/charge
Dimensions (wxhxd): Approx. 118.4 x 82.8 x 40.8 mm (excluding protrusions)
Weight: Approx. 331 grams (body only); 381 grams with battery and card
TESTS
Based on JPEG files captured with the XF 56mm f/1.2 R APD lens
Based on RAF.RAW files captured at the same time and converted with Adobe Camera Raw v.9.2
SAMPLES
Auto white balance with incandescent lighting.
Auto white balance with fluorescent lighting.
Auto white balance with flash lighting.
30-second exposure at ISO 100, 24mm focal length, f/4.
25-second exposure at ISO 200, 24mm focal length, f/4.
15-second exposure at ISO 1600, 24mm focal length, f/5.
5-second exposure at ISO 6400, 24mm focal length, f/6.4.
3-second exposure at ISO 25600, 24mm focal length, f/9.
2-second exposure at ISO 51200, 24mm focal length, f/13.
Flash exposure at ISO 100, 56mm focal length, 1/60 second at f/1.2.
Flash exposure at ISO 200, 56mm focal length, 1/60 second at f/1.2
Flash exposure at ISO 1600, 56mm focal length, 1/60 second at f/2.
Flash exposure at ISO 6400, 56mm focal length, 1/60 second at f/3.5.
Flash exposure at ISO 25600, 56mm focal length, 1/60 second at f/6.4.
Flash exposure at ISO 51200, 56mm focal length, 1/60 second at f/9.
Available light at ISO 800; 56mm focal length, 1/30 second at f/4.
Available light at ISO 3200; 56mm focal length, 1/170 second at f/4.
Available light at ISO 6400; 56mm focal length, 1/120 second at f/5.6.
Available light at ISO 12800; 56mm focal length, 1/280 second at f/5.6.
Available light at ISO 25600; 56mm focal length, 1/600 second at f/5.6.
Available light at ISO 51200; 56mm focal length, 1/300 second at f/11.
10mm focal length, ISO 200, 1/20 second at f/4.
56mm focal length, ISO 400, 1/140 second at f/2.8.
56mm focal length, ISO 400, 1/38 second at f/8.
56mm focal length, ISO 2500, 1/60 second at f/5.6.
Toy Camera effect; 56mm focal length, ISO 400, 1/300 second at f/6.4.
Still frame from Full HD (1920 x 1080 pixels) video clip recorded at 50 fps.
Still frame from Full HD (1920 x 1080 pixels) video clip recorded at 30 fps.
Still frame from Full HD (1920 x 1080 pixels) video clip recorded at 24 fps.
Still frame from HD (1280 x 720 pixels) video clip recorded at 50 fps.
Still frame from HD (1280 x 720 pixels) video clip recorded at 30 fps.
Still frame from HD (1280 x 720 pixels) video clip recorded at 24 fps.
Additional image samples can be found with our reviews of the Fujinon XF 56mm f/1.2 R APD and Fujinon XF 10-24mm f/4 R OIS lenses.
Rating
RRP: AU$900; US$800
- Build: 8.8
- Ease of use: 8.5
- Autofocusing: 8.8
- Still image quality JPEG: 9.0
- Still image quality RAW: 8.5
- Video quality: 8.5
