In summary
The Leica D-Lux 8 has been designed for serious photo enthusiasts who want a genuinely pocketable camera they can take everywhere and use for shooting stills.
It’s a Leica – so, naturally, it’s very well built, with ‘full metal housing’ of die-cast magnesium alloy with a leatherette covering. All the adjustable buttons and dials are sturdily built and adjustments click in positively with no trace of slackness. The camera has a definite ‘quality’ look and feel.
Our image testing demonstrated clear advantages of shooting DNG.RAW files with this camera – although the JPEGs showed moments of brilliance as well.
Full review
Announced on 2 July 2024, Leica’s D-Lux 8 is essentially a minor update to the now-discontinued Panasonic LX100 Mark II but with a dearth of capable compact cameras, it’s a significant market entrant that has been in high demand since its launch. Its sensor and lens are essentially identical to those used in the Panasonic LX100 II and also the previous model, the D-Lux 7 (which we didn’t review). Leica has implemented a few small, but significant changes to improve the camera’s operability, notably by upgrading the EVF and the menu system and enabling raw files to be recorded at 12-bit depth, using the ‘universal’ DNG format.
Angled view of the D-Lux 8 with optional automatic lens cap and leather wrist strap. (Source: Leica.)
Like its predecessor (and the LX100 II) the D-Lux 8 has a die-cast magnesium chassis, a 17.3 x 13.0 mm CMOS sensor with 21.77 million photosites that delivers an effective resolution of 17 megapixels and a Leica DC Vario-Summilux 10.9-34mm f/1.7-2.8 lens. It comes with a compact GN 7 flashgun that clips into the hot-shoe on the top panel.
Front view of the D-Lux 8 with the bundled flashgun fitted. (Source: Leica.)
Sadly, like many ‘luxury’ items, the D-Lux 8 comes over-packaged. Fortunately, most of the packaging is cardboard that can go into the recycling bin – although it’s still a waste of resources that could have been reduced with better design.
Who’s it For?
Although it fits into the ‘compact camera’ classification, the D-Lux 8 is definitely not a point-and-shoot camera; in fact it’s anything but. This camera has been designed for serious photo enthusiasts who want a genuinely pocketable camera they can take everywhere and use for shooting stills. To get the best from it you must learn how to use its various functions and also, most importantly, be prepared to shoot and process raw files.
While it’s great for stills photography, this camera won’t suit anyone who’s serious about shooting video, although it will be fine for the occasional 4K/30p recording. But, why would you bother when your smartphone will probably do as well – or even better?
Currently, there aren’t many compact cameras on the market that would suit a serious stills photographer – although the D-Lux 8 ticks most of the boxes. The alternatives are compromised in one or more ways.
A market survey of small cameras that can record raw files and include a viewfinder produced five, relatively lightweight current models, which are outlined in the table below.
| Leica D-Lux 8 | Fujifilm X100VI | Panasonic DC-TZ220 | Sony Cyber-shot RX100 VII | Ricoh GR 111x | |
| Sensor | 17.3 x 13 mm CMOS | 23.5 x 15.6 mm X-Trans CMOS 5 | 13.2 x 8.8 mm CMOS | 13.2 x 8.8 mm Exmor RS CMOS | 23.5 x 15.6 mm CMOS |
| Resolution (Max image size) | 17MP (4736 x 3552) | 40.2MP (7728 x 51520 | 20.1MP (5472 x 3648) | 20MP (5472 x 3648) | 24MP (6000 x 4000) |
| Raw files | Yes, DNG | Yes, RAF | Yes, RW2 | Yes, ARW | Yes, DNG |
| Lens | 24–75 mm f/1.7-2.8 | 23mm f/2.0 | 24 – 360mm | 24-200mm f/2.8-4.5 lens | 40 mm f/2.8 |
| Stabilisation | Visual compensation system (adjusts shutter speed) | Sensor-shift (5-axis) / 6 stops | 5-Axis HYBRID O.I.S | Optical SteadyShot / 4 stops | Sensor-shift (3-axis) / 4 stops |
| ISO range | 200-25600, expands down to 100 | 125-12800, expands to 64-51200 | 125-12800, expands to 80-25600 | 100-12800; expands to 80-25600 | 100-102400 |
| AF system | Contrast Detect (sensor) with DFD, 49 points | Hybrid PD/CD, 425 points | Contrast Detect (sensor) with DFD, 49 points | PD/CD AF, 357 PD, 425 CD points | PD/CD AF |
| EVF | 2.36K , 0.74x magnification | 3.69K , 0.80x magnification | 2.33K, 0.53x magnification | 2.4K dots, 0.6 x magnification | Optional OVF/EVF costs ~$402 |
| Monitor | Fixed 3-inch, 1.84K | Tilting 3-inch, 1.84K | Fixed 3-inch, 1.24K | Tilting 3-inch. 921,600 dots | Fixed 3-inch, 1.04K |
| Media | Single SD (UHS-II supported) | Single SD (UHS-II supported | Single SD (UHS-I only) | Single SD (UHS-I only) | Single SD (UHS-I only) |
| Battery | DP-DC15, ~340 shots | NP-W126S/360 shots | DMW-BLG10E/360 shots | NP-BX1 / 260 shots | DB-110 / 200 shots |
| Dimensions | 130 x 69 x 62 mm | 128.0 x 74.8 x 55.3 mm | 111.2 x 66.4 x 45.2 mm | 101.6 x 58.1 x 42.8 mm | 109 x 62 x 35 mm |
| Weight | 397 g | 521 g | 340 g | 302 g | 262 g |
| Current price | $2799 | $2899 | $1299 | $1569 RRP ($1494 street) | $1599 |
The Panasonic TZ220 and Sony RX100 VII have a lot in their favour – but their sensors are too small to take seriously. The Ricoh GR 111x requires an add-on EVF, which costs extra and compromises its pocketability.
Of these cameras the Fujifilm X100VI (the largest, heaviest and highest priced of them all) has the best video capabilities. But it is hampered by a fixed focal length lens.
Build and Ergonomics
It’s a Leica – so, naturally, it’s very well built, regardless of where it was manufactured – which in this case is in China. That said, the Leica commitment to quality is fully honoured since the D-Lux 8 boasts a ‘full metal housing’ of die-cast magnesium alloy with a leatherette covering. All the adjustable buttons and dials are sturdily built and adjustments click in positively with no trace of slackness. The camera has a definite ‘quality’ look and feel.
The D-Lux 8 retains many of the features of the Panasonic LX100 II on which it is based, including the Leica DC Vario-Summilux 10.9-34mm f/1.7-2.8 lens, which is threaded to accept 43 mm filters. The aspect ratio selector lever sits above it, with the focus mode selector around to the user’s left.
The new camera retains the system of frame cropping, which aims to retain the set focal length for the three main aspect ratios by cropping the frame. In each case the frame width fits the selected ratio, as shown in the diagram below.
As a result, the full sensor area (which would produce 4:3 aspect ratio, 20-megapixel images) is never used and the highest resolution at 4:3, is a 4736 x 3552 pixel frame with a resolution of 16.8 megapixels. The 1:1 aspect ratio is cropped from the existing sensor, as in other cameras.
Physically, the new camera’s lightly-textured leatherette cladding is similar to that on the Q3 and, like the Q3, there’s no grip moulding on the front panel. Leica offers an accessory grip that screws onto the bottom of the camera – but it’ll cost you $270.
This illustration compares the front panels of the D-Lux 8 (top) and the D-Lux 7 (below). (Source: Leica.)
Repositioned and simplified controls bring the new camera more into line with the Q-series cameras, while also making it easier and more comfortable to operate. The result is a cleaner, more Leica-like look.
On the top panel, the exposure compensation dial is now a thumbwheel with a custom button in its centre. The ‘A’ button on the D-Lux 7 has been deleted in the new model and the 4K movie button is replaced with a ‘Main’ power switch for turning the camera on and off. The on-off lever has been dispensed with.
This illustration compares the top panels of the D-Lux 8 (top) and the D-Lux 7 (below). (Source: Leica.)
The shutter button atop the wide-tele zoom lever now has a threaded centre that can accept Leica’s ‘cosmetic’ accessory ‘soft release button’ (RRP AU$140-$150) – but, sadly, not a cable release. The thumbwheel button is customisable, as are the two buttons just below the shutter speed dial and the button at the centre of the arrow pad on the rear panel.
The default settings for the two buttons below the shutter speed dial set the left button to switch between EVF and monitor and the right button between photo and video modes. However, users can assign any of 38 options to a button of their choice to provide quick access to functions like exposure compensation or ISO settings.
This illustration compares the rear panels of the D-Lux 8 (top) and the D-Lux 7 (below). (Source: Leica.)
The thumbwheel can also be used for menu navigation, enlarging or reducing played-back images, setting selected menu functions and engaging program shift. It also has the following default settings, depending on the selected exposure mode;
Aperture priority AE: Exposure compensation;
Shutter priority AE: 1/3EV shutter speed adjustment;
Flexible program AE: f-number;
Manual exposure: 1/3EV shutter speed adjustment.
Leica has replaced the widescreen field-sequential EVF in the D-Lux 7 with a new, larger OLED display. It has a resolution of 2,360,000 dots and a magnification equivalent to 0.74x and a 4:3 aspect ratio and is more comfortable to use. Dioptre adjustment is unchanged but the monitor screen’s resolution has been boosted from 1,240,000 dots to 1,843,200 dots in the new camera.
The D-Lux 8 also adopts a USB-C connector, rather than the Micro B type connection on the previous model and it is used for battery charging so no charger is supplied. Likewise the camera’s Bluetooth capabilities have been raised to the newer 5.0 LE standard, rather than 4.2, although the Wi-Fi is still a relatively basic 2.4Mhz connection.
What Else is New?
The remaining changes are internal, with the most useful one being the shift from the Panasonic RWL raw file format to the ‘universal’ DNG.RAW format used by other Leica cameras. DNG files are around 20% smaller than most other RAW files, while maintaining the same image quality, which makes them faster to store and transfer. They’re also supported by all raw file converters, so they’re better for archiving.
Aside from that, the changes to the user interface are among the most significant updates from a user’s viewpoint, with the combination of the stripped-down controls and Leica-based menu system (see below) likely to be confusing for users who have only used cameras from the Asian manufacturers. Complicating matters is the fact that the D-Lux 8 (like its precursors) tends to hide many of its settings so you’re advised to set up one or more of the external controls to give you quick access to key settings like ISO and exposure compensation.
A compartment on the right hand side of the camera contains the two interface ports. One is a USB-C port, which is used for battery charging and transferring files to a computer, while the other is a micro-HDMI socket for playing back video on a TV.
The D-Lux 8 also offers better smartphone connectivity via the Leica Fotos app, which lets you operate the camera remotely from your phone and copy files (including DNG and video files) from the camera for sharing on social media. However, unlike the Q-series cameras, you can’t use the app to download and install the Leica Looks preset JPEG colour adjustments that were designed for those cameras.
The Menu System
We’re devoting a separate section of this review to the updated menu controls, which have changed substantially since the previous model, where the menus were somewhat Panasonic-based. The D-Lux 8’s menu has two sections, Status Screen and Main Menu, while the Q3 adds a Favourites section. The Status Screen provides quick access to key camera settings, while the Main Menu accesses all other items.
The Status Screen display showing the different controls sections. (Source: Leica.)
The Status Screen is always displayed first when you press the Menu button. You can access individual settings on this screen by touch or, when you’re using the EVF and this is difficult, select them via the arrow pad and centre button or thumbwheel and its button.
Pressing the Menu button repeatedly toggles you through five menu pages and returns to the Status Screen. You can also go in reverse order by pressing the left side arrow on the arrow pad. Alternatively, you can press the three-bar icon on the bottom right corner of the Status Screen to switch the display quickly to the Main Menu.
Repeated toggling of the menu button takes you from the Status Screen (top left) through five pages of menu items before returning to the Status Screen. (Source: Leica.)
Most of the menu items and submenu items listed in the Main Menu are operating mode specific so any changes made in them will only apply for the operating mode currently in use. The principal functions with global effect (regardless of the shooting mode) are: Format Card, Camera Settings, Camera Information, Language, Leica FOTOS, User Profile, Capture Assistants, Play Mode Setup, Display Settings and Reset Camera.
The Main Menu has two levels, the lower of which contains all the sub-menus for the upper level. When the camera is in Photo mode (for shooting stills), the Status Screen has a dark background, which changes to bright if you swap to the Video mode. Similarly, for both levels of the Main Menu, the header lines are dark in Photo mode and bright in Video mode, making them quick and easy to distinguish.
Individual functions must be selected via the arrow pad and thumbwheel controls as they can’t be selected by touch. Settings are locked in by pressing either the central button on the arrow pad or the thumbwheel button. You can return to the shooting mode by tapping the shutter button.
You can store combinations of camera settings in customisable User Profiles, which are located on page 4 of the Main Menu in the User Profile sub-menu. Simply set up the camera as you want it, go to this page and select Manage Profile to lock a profile into one of the three storage banks.
Coming to grips with this system takes time and patience. But once you have the camera set up as you want it – including storing one or more extra profiles – you’ll find it quick and easy to control the most important functions.
Sensor and Image Processing
We’re not sure which company manufactured the sensor and image processor for the D-Lux 8 – but it’s more likely to be Sony than Leica since Soy makes almost half of the sensors used in today’s cameras. However, it’s likely Leica had a say in the sensor design and also in the specifications for the image processor used in the D-Lux 8.
Going by the appearance of the image files we captured, it looks as if Leica’s Maestro processor may be used in the camera, rather than Panasonic’s Venus Engine chip. We’ve asked Leica for confirmation and will update this review once we’ve received it.
Photographs are recorded in the sRGB colour space using regular JPEG format, which can be combined with 12-bit DNG.RAW – or you can shoot just raw files. Sadly, the Adobe RGB colour space is not supported. The table below shows the image sizes available.
| File format | Aspect ratio | Resolution | Megapixels |
| DNG and Large JPEG |
16:9 | 5152 x 2904 | 15 |
| 3:2 | 4928 x 3288 | 16.2 | |
| 4:3 | 4736 x 3552 | 16.8 | |
| 1:1 | 3552 x 3552 | 12.6 | |
| Medium JPEG | 16:9 | 3840 x 2160 | 8.3 |
| 3:2 | 3504 x 2336 | 8.2 | |
| 4:3 | 3360 x 2520 | 8.5 | |
| 1:1 | 2528 x 2528 | 6.4 | |
| Small JPEG | 16:9 | 1920 x 1080 | 2.1 |
| 3:2 | 2496 x 1664 | 4.2 | |
| 4:3 | 2368 x 1776 | 4.2 | |
| 1:1 | 1776 x 1776 | 3.2 |
The video capabilities of the D-Lux 8 are very limited. All clips are recorded in MP4 format with H.264 L-GOP 4:2:0 8-bit compression and AAC stereo audio. The menu provides no option to select between NTSC and PAL standards and only five recording formats. The maximum video clip length is 29 minutes. The table below shows the settings available.
| Resolution | Frame rate | Bit rate | ||
| 4K | 3840 x 2160 | 30p | 29.97 fps | 100 Mbps |
| 24p | 23.98 fps | |||
| FHD | 1920 x 1080 | 60p | 59.94 fps | 28 Mbps |
| 30p | 29.97 fps | |||
| HD | 1280 x 760 | 30p | 29.97 fps | 10 Mbps |
There’s no option to attach an accessory microphone and no headphone port for monitoring audio as you shoot. While you can playback recorded footage to a TV set via the HDMI port, it can’t be used for connecting the camera to an external recorder or streaming device.
The in-lens stabilisation isn’t as good for video as it is for stills, where we estimate you can get up to three stops of shake correction with good shooting techniques. No electronic stabilisation is available to compensate for rolling around the optical axis so you need to concentrate on keeping the camera as steady as you can while recording clips.
Performance
Our Imatest testing demonstrated clearly the advantages of shooting DNG.RAW files with this camera – although the JPEGs showed some moments of brilliance as well. Perhaps unsurprisingly (it’s a Leica after all), we found even the maximum resolutions delivered by JPEG files comfortably exceeded expectations for the effective sensor resolution we used, including with measurements up to half way from the centre of the frame.
The highest resolutions of raw files captured simultaneously with the JPEGs were significantly above the JPEG resolutions, with some centre-of-frame measurements yielding resolutions more than double that expected from the sensor. Our tests also showed some edge softening at all focal length and aperture settings, as shown in the graph of our test results below.
Diffraction began to take effect between f/4 and f/5.6, with a sizeable drop between f/8 and f/16, as expected. The highest resolution was recorded with the 22.7mm (50mm equivalent) focal length at f/3.2.
Resolution remained relatively high through to ISO 6400, although it declined slowly from a high point at ISO 100. There was a sharp drop at the highest ISO setting (ISO 25000), particularly for raw files, as shown in the graph of our test results below.
These results were confirmed by our night shots, which showed noise began to be an issue at ISO 6400 (which we’d recommend using as the cut-off point for the auto ISO range) and increased thereafter. We wouldn’t advise using the two highest ISO settings unless there was no alternative. Since the camera lets you set exposures up to 60 seconds long through the regular menu in the S and M modes and also provides a Time (T) setting for longer exposures, which only work at low ISO settings, the highest ISO levels are easily avoided.
Lateral chromatic aberration was assessed on the basis of raw files captured without in-camera correction, rather than JPEGs (which are usually corrected). The results of our tests, shown in the graph below, indicate almost all measurements fell within the ‘negligible’ zone to the left of the red line in the graph.
The auto white balance setting delivered good colour accuracy in JPEGs with the default Standard Film Style, which kept saturation modest. Our Imatest tests showed a slight warming that was advantageous when shooting in the shade – but hard to detect in normal sunlight. Colour saturation was more restrained in DNG.RAW files, giving users greater controls when editing shots.
Quantifying vignetting and distortion was impossible because both JPEGs and DNG.RAW files come with baked-in profiles that you can’t get around. We got an impression of very slight barrel distortion when framing close and medium distance shots at the 24mm focal length and very slight pincushion distortion at 75mm. Both were eliminated in the actual image files.
Overall, both JPEGs and DNG.RAW files were clean and sharp with well-modulated tonal transitions. But, as expected, the raw files provided much more scope for pulling up shadow details and managing tonal nuances.
The lens produced some nice, sharp, 18-pointed sunstars when stopped down to f/16. A few coloured flare artefacts were created at the 75mm focal length but, aside from that, flare was never an issue during actual shoots.
Bokeh was pretty good for a M4/3 sensor and relatively small – but fast – lens. The reduction in image sharpness towards the corners of the frame works in the photographer’s favour here, adding to the normal out-of focus blurring. We found some highlight outlining in shots taken at the 75mm focal length, which is probably to be expected.
Our timing tests were carried out with a 64GB Lexar Professional SDXC II V60 card with a speed rating of 250MB/s. The review camera took 1.25 seconds to power up and extend its lens and about a second to close down.
Capture lag averaged 0.1 seconds but this slight lag was eliminated with pre-focusing. Shot-to-shot times averaged 0.7 seconds. It took approximately 1.1 seconds to process each JPEG frame and 2.1 seconds to process a DNG.RAW frame.
In the high-speed continuous shooting mode with auto shutter selection and focus and exposure locked on the first frame, the review camera recorded 119 frames in 10.5 seconds, which is slightly above the specified 11 fps. It took 9.5 seconds to process this burst.
On swapping to DNG.RAW files, the camera recorded 15 frames in 2.1 seconds, which is close to 7 fps and slower than specified. It took 14.8 seconds to clear the buffer memory.
Conclusion
Login or Register to access the Conclusion.
SPECS
Image sensor: 17.3 x 13 mm CMOS sensor with 21.77 million photosites (17 megapixels effective); RGB colour filter, UV/IR filter
Image processor: Not specified
Lens: Leica DC Vario-Summilux 10.9-34mm (24-75mm equivalent) f/1.7-2.8
Zoom ratio: 3.3x optical
Image formats: Stills – JPEG (DCF / Exif 2.31), DNG.RAW (12-bit), RAW+JPEG; Video: MP4, H.264, AAC stereo
Image Sizes: Max stills at 4:3 aspect ratio – 4736 x 3552 (16.8 MP), 3:2 aspect ratio – 4928 x 3288 (16.2MP), 16:9 aspect ratio – 5152 x 2904 (15MP), 1:1 aspect ratio – 3552 x 3552 (12.6MP); Movies – 4K (3849 x 2160) at 30/24p, FHD (1920 x 1080) at 60/24p, HD (1280 x 720) at 30p; max. length: 29 minutes
Aspect ratios: 4:3, 3:2, 16:9, 1:1
Shutter / speed range: Mechanical central shutter or optional electronic shutter; Mechanical shutter: 60 s to 1⁄4000 s; Electronic shutter function: 1 s to 1⁄16000 s
Self-timer: 2 or 12 seconds delay
Image Stabilisation: Visual compensation system for photos and video recordings
Exposure Compensation: +/-3EV in 1/3 EV steps
Bracketing: 3, 5 or 7 frames, in 1⁄3 EV increments up to 1 EV; additional optional exposure compensation: up to +/-3 EV
Focus system/range: Contrast detection AF with 47 metering fields / 50 cm to infinity plus Macro to 3 cm (wide angle), 30 cm (tele zoom)
Focus modes: Intelligent AF (autonomously selects AFs or AFc ), AFs, AFc
Focus area selection: Spot (can be shifted), Field (can be shifted and scaled), Multi-Field, Zone (can be shifted), Eye / Face detection, Tracking AF
Exposure metering/control: TTL with working aperture / Multi Field, Centre Weighted, Spot
Built-in ND filter: Yes, 3 steps
Shooting modes: Program Auto, Aperture Priority, Shutter Priority, Manual, Scene Mode (Auto, Portrait, Landscape, Night Scenery, Miniature Effect, One Point Colour, HDR)
ISO range: Auto – ISO100-25,000 (ISO 100-6400 for movies)
Colour space: sRGB
White balance: Automatic (Auto), default (Daylight, Cloudy, Shadow, Tungsten, Flash), manual metering (Grey Card), Kelvin temperature settings: 2500 K to 10000 K
Flash/GNs/range/sync time: Leica CF D (supplied) / 10/7 (at ISO 200/100) / Approx. 0.6–14.1 m/0.3–8.5 m (at shortest/longest focal length) / up to 1/4000 second
Flash exposure compensation: +/-3EV in 1/3 EV steps
Sequence shooting: Max. 11 frames/second focus & exposure fixed on first frame; 2 fps with AF/AE
Buffer memory depth: 100 JPEGs, 12 raw files, 12 RAW+JPEG
Storage Media: Single slot for SD/SDHC/SDXC cards (UHS-II supported)
Viewfinder: OLED EVF with 2,360,000 dots, 60 fps refresh rate, magnification: 0.74x, at aspect ratio: 4:3, eye relief: 20 mm, dioptre range -4/+4 dpt, eye sensor for automatic switchover between viewfinder and LCD panel, time delay 0.005 s
LCD monitor: Fixed 3-inch TFT LCD touch panel with 1,843,200 dots, 384 ppi, 3:2 aspect ratio
Interface terminals: ISO accessory shoe with additional control contacts for Leica flash units, HDMI jack Type D, USB 3.1 Gen 1 Type C
Communications: WLAN function for connecting to the Leica FOTOS app.; Bluetooth 5.0 LE: Channel 0–39 (2402–2480 MHz), maximum output (e.i.r.p.): 1.2 dBm
Power supply: DP-DC15 rechargeable Lithium Ion battery, CIPA rated for approximately 340 shots/charge
Body material: Full metal housing made from die-cast magnesium, leatherette covering
Dimensions (wxhxd): 130 x 69 x 62 mm
Weight: 397 grams (with battery and memory card)
Distributor: Leica Camera Australia
TESTS
Based on JPEG files.
Based on DNG.RAW files recorded simultaneously and converted into 16-bit TIFF format with Adobe Camera Raw.
SAMPLES
ISO 100, 30-second exposure at f/3.2; 49mm focal length.
ISO 800, 10-second exposure at f/5; 49mm focal length.
ISO 3200, 6-second exposure at f/8; 49mm focal length.
ISO 6400, 5-second exposure at f/10; 49mm focal length.
ISO 12500, 3.2-second exposure at f/11; 49mm focal length
ISO 25000, 2-second exposure at f/13; 49mm focal length.
24mm focal length, ISO 100, 1/250 second at f/5.
35mm focal length, ISO 100, 1/250 second at f/5.
50mm focal length, ISO 100, 1/320 second at f/5.
75mm focal length, ISO 100, 1/320 second at f/5.
Close-up at 24mm focal length, ISO 200, 1/200 second at f/1.7.
Close-up at 75mm focal length, ISO 100, 1/640 second at f/2.8.
Sunstar at 24mm focal length; ISO 100, 1/50 second at f/16.
Sunstar at 75mm focal length; ISO 100, 1/25 second at f/16.
JPEG file, 75mm focal length, ISO 250, 1/125 second at f/4.
The same subject recorded as a DNG.RAW file and converted into TIFF format then edited in Photoshop.
45mm focal length, ISO 200, 1/125 second at f/4.
75mm focal length, ISO 200, 1/250 second at f/2.8.
37mm focal length, ISO 200, 1/250 second at f/4.
75mm focal length, ISO 200, 1/500 second at f/5.
42mm focal length, ISO 800, 1/60 second at f/4.5.
42mm focal length, ISO 1600, 1/100 second at f/4.5.
68mm focal length, ISO 200, 1/200 second at f/5.6.
40mm focal length, ISO 200, 1/1605 second at f/5.6.
75mm focal length, ISO 200, 1/125 second at f/3.2.
42mm focal length, ISO 800, 1/100 second at f/2.5.
60mm focal length, ISO 200, 1/320 second at f/5.6.
75mm focal length, ISO 200, 1/125 second at f/4.
75mm focal length, ISO 200, 1/200 second at f/5.6.
75mm focal length, ISO 200, 1/125 second at f/5.6.
66mm focal length, ISO 200, 1/125 second at f/5.6.
Still frame from 4K 30p video clip.
Still frame from 4K 24p video clip.
Still frame from FHD 60p video clip.
Still frame from FHD 30p video clip.
Still frame from HD 30p video clip.
Rating
RRP: AU$2790
- Build: 9.2
- Ease of use: 8.9
- Autofocusing: 8.9
- JPEG image quality: 9.0
- RAW image quality: 9.3
- Video quality: 8.9
BUY
