From the Archive: Don’s Editorial, Photo Review Issue 2 Dec/Jan 2002.
Best Buys for Christmas 2008
https://www.photoreview.com.au/tips/buying/best-buys-for-christmas-2008/Photo Review has checked out the local online photo equipment resellers and come up with our picks of the best buys in the pre-Christmas market. Our choices are based on value for money, along with the results of our regular camera tests.
Panasonic Expands Lumix SLR Line with DMC-L10
https://www.photoreview.com.au/news/panasonic-expands-lumix-slr-line-with-dmc-l10/Panasonic Australia will expand its range of DSLR cameras with the release next month of the Lumix DMC-L10.
More Support for Adobe DNG
https://www.photoreview.com.au/news/more-support-for-adobe-dng/Ricoh is the latest camera manufacturer to support Adobe’s “universal” raw file format, DNG.
Panasonic Lumix DMC-TZ7
https://www.photoreview.com.au/reviews/other-cameras/panasonic-lumix-dmc-tz7/A 12x optical zoom in a slimline digicam body with ‘intelligent’ auto controls and the ability to shoot HD-quality video.Panasonic has long been a leader in the ultra-zoom category, largely because it has produced cameras that are genuinely pocketable but are also easy to use, feature-rich and offer good performance. Unfortunately, it’s taken almost six months since we first experienced the Lumix DMC-TZ7 at Panasonic’s Asian Region launch in Singapore for a review camera to become available. That’s a pity because this camera has a lot to interest potential buyers.
Panasonic Lumix DMC-FT3
https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-ft3/Panasonic’s latest waterproof camera adds a GPS antenna, Full HD video and a LED light to improve video quality when shooting in low-light and under water. Panasonic’s DMC-FT3 represents the third generation of a line that began in with the FT1, which set the benchmark for rugged, waterproof cameras. The lens hasn’t changed since the first model; nor has the LCD monitor. After a brief flirtation with 14.1 megapixels on the FT2, Panasonic has returned to 12.1 megapixels for the FT3 but added some worthwhile improvements.
Bibble 5 Preview Version 3 Now Available
https://www.photoreview.com.au/news/bibble-5-preview-version-3-now-available/Bibble Labs has released Preview Version 3 for the forthcoming Bibble 5 raw file converter.
Sony NEX-C3
https://www.photoreview.com.au/reviews/advanced-compact-cameras/interchangeable-lens/sony-nex-c3/A smaller, lighter replacement for the NEX-3 with a higher-resolution sensor plus new Picture Effects.Just over a year after entering the mirrorless interchangeable-lens camera market, Sony has added another model to its line-up. The NEX-C3, which replaces the NEX-3, is smaller and 14 grams lighter than its predecessor. It also comes with a 16.2-megapixel sensor, offering higher resolution than either the NEX-3 or NEX-5, both of which were 14.2-megapixel cameras.
Panasonic Lumix DMC-LX5
https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-lx5/An upgrade to Panasonic’s popular enthusiast digicam flagship with improved ergonomics, autofocusing and image quality.The enthusiast digicam market has changed in the two years since Panasonic released its popular DMC-LX3 Lumix digicam and the new LX5 model faces tough competition both from high-end digicams from other manufacturers and the new Micro Four Thirds cameras released by Panasonic and Olympus. To meet this challenge, Panasonic has improved the user interface on the LX5 and increased the range of the zoom lens to the equivalent of a 90mm lens in 35mm format.
Panasonic Lumix DMC-GF1
https://www.photoreview.com.au/reviews/advanced-compact-cameras/interchangeable-lens/panasonic-lumix-dmc-gf1/A compact, rangefinder-styled Micro Four Thirds System camera that accepts interchangeable lenses.In the GF1, Panasonic has challenged Olympus with a similar, rangefinder-like model that tackles some of the deficiencies of the E-P1 and exploits the not insignificant potential of the Micro Four Thirds (M4/3) sensor format. In addition, by providing HD video recording – using the AVCHD Lite format offered in the company’s digicams, the GF1 also confronts the main criticism levelled at the G1: the lack of video capture.