Pentax K-m

https://www.photoreview.com.au/reviews/dslr-cameras/entry-level/pentax-k-m/

A compact, entry-level DSLR with straightforward controls and plenty of novel features to satisfy more adventurous photographers.Pentax has used many features from last year’s K200D as the basis of its new K-m DSLR. The sensors, viewfinders and LCD screens in both cameras are the same. However, the K-m is pitched more at first-time DSLR owners. It’s as easy to use as an advanced digicam and offers some novel functions – including a swag of digital filters. But some features have been downgraded from its predecessor.

Pentax K20D

https://www.photoreview.com.au/reviews/dslr-cameras/pentax-k20d/

A ruggedly-built, high-resolution DSLR with live viewing plus some innovative and useful shooting functions.Pentax has designed its 14.6-megapixel K20D model to appeal to demanding photo enthusiasts but many of its features will also appeal to professional photographers. Like the earlier K10D model, the K20D is built to resist dust and moisture with seals protecting 74 different parts of the camera body. Physically the two cameras are similar, with identical body dimensions, although the new model has a larger LCD and is five grams heavier than its predecessor.

Canon EOS 500D

https://www.photoreview.com.au/reviews/dslr-cameras/advanced/canon-eos-500d/

A capable DSLR for photographers who require a broad range of adjustable functions plus Full HD video recording.Announced in late March, Canon’s EOS 500D is another ‘in-betweener’ model, like the Nikon D5000 and Olympus E-620 we reviewed recently. Positioned between the 450D and the 50D, the EOS 500D offers the same effective resolution of 15.1 megapixels as the EOS 50D, the same DiG!C 4 image processor and the same Full High Definition movie recording capabilities as the EOS 5D Mark II.

Panasonic Lumix DMC-FT1

https://www.photoreview.com.au/reviews/other-cameras/panasonic-lumix-dmc-ft1/

A solidly-built, shockproof and waterproof slimline digicam that can record HD video clips with monaural sound.The Lumix DMC-FT1 represents a new concept for Panasonic: a tough, slimline digicam that is shockproof to 1.5 metres, waterproof to a depth of three metres and dustproof to the IP58 standard. Olympus has already been down this ‘tough camera’ track but Panasonic is the first manufacturer to add the ability to record high-definition movie clips in the new AVCHD Lite format with a frame rate of 30 frames/second.

Panasonic Lumix DMC-L1

https://www.photoreview.com.au/reviews/advanced-compact-cameras/panasonic-lumix-dmc-l1/

A well-built Four Thirds system DSLR with a rangefinder camera control layout and dual-angle pop-up flash.Panasonic has described its new Lumix DMC-L1 as combining ‘analog operational concept and design’ and the new model looks and feels like a fusion of a rangefinder camera and the Olympus E-330 (on which much of the L1’s technology is based). With an RRP of $3,849, Panasonic is clearly capitalising on the prestige of the supplied Leica D Vario-Elmarit 14-50mm F2.8-3.5 lens and targeting Leica film camera users who have yet to move into digital capture.

Panasonic Lumix G 14mm f/2.5 ASPH Lens (H-H014E)

https://www.photoreview.com.au/reviews/lenses/m4-3/panasonic-lumix-g-14mm-f25-asph-lens-h-h014e/

A fast, lightweight ‘pancake’ prime lens for Micro Four Thirds System cameras.Panasonic’s Lumix G 14mm f/2.5 ASPH lens was released roughly a year ago with the GF2 camera body. A fast and compact, ‘pancake-styled’ prime lens, it is also offered with the new GF3 camera and bundled in the single-lens kit, which has an RRP of $899, where it represents great value for money. If you buy this lens on its own, however, the RRP is $649, which will probably deter potential buyers.

Panasonic Lumix DMC-TZ10

https://www.photoreview.com.au/reviews/other-cameras/panasonic-lumix-dmc-tz10/

A lightweight, 12x zoom camera for travellers who want advanced shooting controls plus 720p HD video recording.Offering 12.1-megapixel resolution plus a 12x optical zoom lens that covers the equivalent of 25-300mm focal length range, Panasonic’s Lumix DMC-TZ10 extends the appealing features of previous ‘Travellers’ Zoom’ models with a built-in GPS (Global Positioning System) receiver and P, A, S and M shooting modes. Its image stabiliser has been upgraded to a new POWER O.I.S. (Optical Image Stabiliser) with twice the steadiness of previous systems.

Panasonic Lumix DMC-GH1

https://www.photoreview.com.au/reviews/advanced-compact-cameras/interchangeable-lens/panasonic-lumix-dmc-gh1/

A sophisticated ‘hybrid’ camera that combines SLR-like controls for still capture with HD video plus stereo sound recording.Like some of the most recent DSLRs, Panasonic’s new DMC-GH1 offers the added benefit of high-definition video capture – but also provides stereo sound recording. First shown at Photokina 2008, the GH1 is based on Panasonic’s first Micro Four Thirds System (MFT) camera, the DMC-G1, and offers most of the same features for still capture. Unlike the G1, which came in black, red and blue, the GH1 will only be sold locally with a black body. In line with their MFT design, both cameras lack reflex mirror viewfinders but they provide the interchangeable lenses and sophisticated controls of the DSLR format in smaller, lighter bodies and are offered with MFT lenses.

Panasonic Lumix DMC-FZ18

https://www.photoreview.com.au/reviews/advanced-compact-cameras/panasonic-lumix-dmc-fz18/

A lightweight digicam with an optically-stabilised 18x optical zoom lens, RAW+JPEG support and a full range of adjustments.Successor to the successful FZ8 model, Panasonic’s latest long-zoom digicam, the DMC-FZ18 sports an 8-megapixel imager and a massive 18x Leica DC Vario-Elmarit lens that covers an equivalent focal length range from 28mm to 504mm. Otherwise the two models are superficially quite similar, although the FZ18’s image stabiliser is accessed via the menu instead of through a dedicated button. Internally some sigificant changes have been made in the newer model.