Panasonic Lumix DMC-TZ7

https://www.photoreview.com.au/reviews/other-cameras/panasonic-lumix-dmc-tz7/

A 12x optical zoom in a slimline digicam body with ‘intelligent’ auto controls and the ability to shoot HD-quality video.Panasonic has long been a leader in the ultra-zoom category, largely because it has produced cameras that are genuinely pocketable but are also easy to use, feature-rich and offer good performance. Unfortunately, it’s taken almost six months since we first experienced the Lumix DMC-TZ7 at Panasonic’s Asian Region launch in Singapore for a review camera to become available. That’s a pity because this camera has a lot to interest potential buyers.

Panasonic Lumix DMC-FT3

https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-ft3/

Panasonic’s latest waterproof camera adds a GPS antenna, Full HD video and a LED light to improve video quality when shooting in low-light and under water. Panasonic’s DMC-FT3 represents the third generation of a line that began in with the FT1, which set the benchmark for rugged, waterproof cameras. The lens hasn’t changed since the first model; nor has the LCD monitor. After a brief flirtation with 14.1 megapixels on the FT2, Panasonic has returned to 12.1 megapixels for the FT3 but added some worthwhile improvements.

Panasonic DMC-FX100

https://www.photoreview.com.au/reviews/advanced-compact-cameras/panasonic-dmc-fx100/

An attractive-looking, well-built, slimline camera that delivers above-average performance for point-and-shoot photographers.We have long believed that eight megapixels is more than enough for a digicam, so we were interested to see whether fitting a 12-megapixel imager in Panasonic’s Lumix DMC-FX100 digicam was a worthwhile exercise. Equipped with the same optically-stabilised Leica DC Vario-Elmarit zoom lens and 2.5-inch LCD as the 8-megapixel FX33 model the FX100 has an identical control layout and many of the same features, although its arrow pad buttons are square instead of round.