TIPA Award Winners Announced

https://www.photoreview.com.au/news/tipa-award-winners-announced/

The Technical Image Press Association (TIPA) – a consortium of 32 European photographic and digital imaging magazines – has just announced the winners of its annual awards for the best imaging products. Widely recognised as the Oscars” of the photographic industry, TIPA Awards are conferred as a result of votes by a panel of leading magazine editors and technical editors and are seen as independently awarded.

Sony NEX-C3

https://www.photoreview.com.au/reviews/advanced-compact-cameras/interchangeable-lens/sony-nex-c3/

A smaller, lighter replacement for the NEX-3 with a higher-resolution sensor plus new Picture Effects.Just over a year after entering the mirrorless interchangeable-lens camera market, Sony has added another model to its line-up. The NEX-C3, which replaces the NEX-3, is smaller and 14 grams lighter than its predecessor. It also comes with a 16.2-megapixel sensor, offering higher resolution than either the NEX-3 or NEX-5, both of which were 14.2-megapixel cameras.

Panasonic Lumix DMC-LX5

https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-lx5/

An upgrade to Panasonic’s popular enthusiast digicam flagship with improved ergonomics, autofocusing and image quality.The enthusiast digicam market has changed in the two years since Panasonic released its popular DMC-LX3 Lumix digicam and the new LX5 model faces tough competition both from high-end digicams from other manufacturers and the new Micro Four Thirds cameras released by Panasonic and Olympus. To meet this challenge, Panasonic has improved the user interface on the LX5 and increased the range of the zoom lens to the equivalent of a 90mm lens in 35mm format.

Panasonic Lumix DMC-GF1

https://www.photoreview.com.au/reviews/advanced-compact-cameras/interchangeable-lens/panasonic-lumix-dmc-gf1/

A compact, rangefinder-styled Micro Four Thirds System camera that accepts interchangeable lenses.In the GF1, Panasonic has challenged Olympus with a similar, rangefinder-like model that tackles some of the deficiencies of the E-P1 and exploits the not insignificant potential of the Micro Four Thirds (M4/3) sensor format. In addition, by providing HD video recording – using the AVCHD Lite format offered in the company’s digicams, the GF1 also confronts the main criticism levelled at the G1: the lack of video capture.

Panasonic Lumix DMC-FZ35

https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-fz35/

An advanced digicam with a fast, 18x zoom lens plus support for raw file capture and AVCHD Lite HD video recording capability.Panasonic’s DMC-FZ35 Lumix camera replaces the popular FZ28 at the top of the super-zoom line-up and offers P, A, S and M shooting modes to please photo enthusiasts, along with AVCHD Lite HD video recording. It carries on the SLR-like styling of its predecessor, along with the same Leica DC Vario-Elmarit zoom lens. Other familiar features include the joystick controller, which was first seen in the FZ7 model plus much of the control layout and most menu functions.

Panasonic Lumix DMC-FZ150

https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/panasonic-lumix-dmc-fz150/

A welcome update to the FZ100 with a 12.1-megapixel sensor, improved optics and ISO performance plus new Full HD video recording capabilities.The Lumix DMC-FZ150 replaces the FZ100 at the top of Panasonic’s super-zoom digicam line-up. Announced on 26 August, it features a new, 12.1-megapixel MOS sensor (down from 14MP in the FZ100) but retains the same 24x zoom lens but adds a new ‘Nano Surface Coating’ to minimise flare and ghosting caused by internal reflections. The lens also carries a new zoom control on the side of its barrel, providing an alternative to the lever zoom surrounding the shutter button.

Fujifilm Finepix X100

https://www.photoreview.com.au/reviews/advanced-compact-cameras/fixed-lens/fujifilm-finepix-x100/

A fixed-lens compact camera for serious photographers, which features an APS-C sized sensor plus a hybrid viewfinder that combines optical and electronic systems.Although production of Fujifilm’s FinePix X100 was set back by the earthquake and tsunami that devastated north-eastern Japan, the factory in Sendai resumed production at the end of March and stocks were scheduled to arrive in Australia late in April. However, demand has been high and many retailers have pre-sold their stock, so it might still be difficult to obtain one for a month or so.